A Cup of Sins is a new CD release of works by Iranian-Canadian composer Parisa Sabet. If there’s a unifying theme it’s religious/cultural persecution in Iran and there’s a strong Bahai influence. The six pieces are scored for various combinations of voice, piano and small ensemble and add up to about an hour of very rewarding music.
The first piece, Shurangiz, is a riff on music for the tar (a kind of Iranian lute) and it’s scored for flute, clarinet, piano, violin and cello. It’s an interesting combination of traditional Iranian influences with a nod to Western minimalism. It’s quite meditative in mood. Continue reading
Façades is a new CD of music by William Walton and Constant Lambert; much of it comparatively unknown. It’s a mix of songs for tenor and piano and music for piano duet. The disk begins with Lambert’s Trois pièces négres for two pianos. The bookends are fairly up tempo jazz inflected numbers with a perhaps Poulenc influenced slow middle section. Curiously only the white notes of the pianos are used. It’s the first touch of what I tend to feel about Lambert’s music; clever, well crafted but, in the last analysis, not very interesting.
The ninth edition of Tapestry’s celebration of their back catalogue happened last night in the Ernest Balmer Studio. This year’s mentors are Jacqueline Woodley and Andrea Grant. The emerging artists are Elisabeth Boudreault, Lindsay Connolly, Brianna DeSantis, Ryan Downey, Gabrielle French, Rebecca Gray, Lauren Halász, Rachel Krehm, Brittany Rae, Anne-Marie Ramos and Jennifer Routier with pianists Qiao Yi Miao Mu and Ryoko Hou.
operaramblings 