The dynamic duo of Teija Kasahara and Aria Umezawa have a new project; Amplified Opera. They are kicking off with a series of three concerts called Amplify! and it takes place Ocober 10th to 12th at the Ernest Balmer Studio. The theme is diversity and equity.
October 10th, 2019: The Way I See It – American mezzo-soprano and author Laurie Rubin (Do You Dream in Color: Insights from a Girl Without Sight), and pianist Liz Upchurch will speak to their unique experiences as individuals with blindness and vision loss navigating the world of opera, and how this element of their identity has informed their creative process. The concert will be directed by Aria Umezawa. As you can imagine this particularly resonates with me.
October 11th, 2019: The Queen in Me – An exploration of the ways in which the classical music world tries to control and limit queerness, gender expressions, and identities. This one-person show features soprano Teiya Kasahara as the Queen of the Night who, after 228 years, has finally decided to reclaim their narrative and challenge the patriarchy. The show is accompanied by Trevor Chartrand, and directed by Andrea Donaldson.
October 12th, 2019: What’s Known to Me is Endless – A look at the African diaspora, and how experiences of Black identity differ in Canada and the United States. African American baritone Kenneth Overton is joined by Canadian pianist Rich Coburn to speak to how their understanding of Black identity was challenged while working on both sides of the Canadian-US border. Canadian American, Michael Mohammed, will direct the show.
Tickets are $25 for each show at the door or from the website.
September starts the slow ramp up to the new season. The first thing in my calendar is Mysterious Barricades on September 14th from 1pm to 2pm in Walter Hall. This is a series of coast to coast, dawn to dusk concerts in aid of Suicide Awareness. Russell Braun, Monica Whicher and Nathalie Paulin are all involved. It’s free but ticketed. Check the link for details.
The line up for Voicebox: Opera in Concert has been announced for the 2019/20 season. There are four shows:
The season opens on Sunday, October 20, 2019, with a double bill by Maurice Ravel, L’enfant et les sortileges and L’heure Espagnole. It’s a common pairing and often a very funny one. It’s piano score with Suzy Smith playing., The cast includes Holly Chaplin, Anika-France Forget, Danlie Rae Acebuque and Joshua Clemenger.
Sunday, December 1st, 2019 sees some welcome Janáček. We don’t see near enough of his work in Toronto. This time its Katya Kabanova. It’s not the jolliest of pieces but it’s musically and dramatically top drawer. The cast includes Lynn Isnar, Emilia Boteva, Michael Barrett and Cian Horrobin with Jo Greenaway at the piano.
There’s a remount of Charles M. Wilson’s Kamouraska, premiered by OiC in 2009, on Sunday, February 16th, 2020. It’s based on Anne Hebert’s novel about a tumultuous love triangle that plays out near a village in Quebec, with tragic consequences. The cast includes Jennifer Taverner , Aaron Dimoff and Matt Chittick. Robert Cooper leads the orchestra, cast and chorus.
The season closes on Sunday, April 5, 2020, with snobbery with violets in the form of Cilea’s Adriana Lecouvreur. The cast includes Sally Dibblee, Romulo Delgado aand Geneviève Lévesque Narmina Afandiyeva at the piano.
The Ukrainian Art Song Project’s summer intensive has a concert in Temerty Hall on Sunday at 3pm. It’s possible to sit in on the creation/rehearsal process so I went along yesterday to take a look. I last went to one of the UASP’s concerts a couple of years ago and it was presented as a standard voice/piano recital in Koerner Hall. This is going to be quite different. The songs have been ordered in a way that creates a kind of narrative described as “A poet, having lost their inspiration, retraces their life, striving to reawaken in themselves the passion that once allowed them to create great works of art”. Also, it’s all being staged “in the round”. I got to see the crew work on four or five numbers yesterday and I was impressed by the commitment and the high standard of the singing and acting as well of the sheer speed with which the singers picked up on the ideas thrown at them by “circus master” Pavlo Hunka. It’s dramatic. There’s even an orgy.
Out of town, up in bear country, Highlands Opera Studio has shows this month. Puccini’s Suor Angelica is paired with two short contemporary opera’s; Maria Atallah’s The Chair and Kendra Harder’s Book of Faces. That’s this coming Thursday. Then on the 22nd, 24th, 25th and 26th they are doing Strauss’ Ariadne auf Naxos with two different casts. Full casting and box office information is here.