I’ve been following the Yiddish Glory project for a while now and this year there’s something special for Yom Kippur. Yom Kippur without Fascists surfaced in Almaty, Kazakhstan where it was written in 1945. It fantasizes Adolf Hitler as the kapporot; a sacrificial chicken. It has the same dark humour as most of these Yiddish songs of resistance. There’s a great performance of it on Youtube or you can follow this link to Six Degrees Records where you can buy an audio recording or read the full lyrics.
Date with the Divas volume 2 is the latest Youtube offering from Opera Sustenida (Stephanie DeCiantis – soprano and film diva, Nicole Whitney Dubinsky -soprano, Daniella Theresia – mezzo and tech diva and Suzanne Yeo – piano). It’s the first of their shows that I’ve seen. It’s one of those films where everything is recorded in people’s homes and then patched together into a film and it’s as well done as anything in the genre that I’ve seen. The video editing is really good though some sections that were broadcast “live” during the initial streaming were a bit weird sonically. Fortunately that didn’t affect the music.
It’s been a bit quiet lately but there a couple of live shows and a video that you might want to check out. None of them are opera really but whatever. Shakespeare in the Ruff are doing something different this year. They have a one hour show called Towards Rebirth which explores the themes of Rupture, Resilience, and Rebirth. It was created in workshop by the actors and so it’s maybe not the most polished theatre you will ever see but it’s quite moving and sometimes very funny. There are six more shows in Withrow Park at 3pm and 6.30pm Friday through Sunday. It’s ticketed and PWYC. Details here.
The most substantial offering I’ve seen this week is a concert from Toronto Summer Music that aired last night. It was a song recital by four of the Toronto’s better known young singers with Steven Philcox on piano. Simona Genga sang some Mahler and some interesting songs by the Basque composer Jésus Gurudi (new to me!). Clarence Frazer gave us excerpts from Die Schöne Müllerin plus three songs by Butterworth. No prizes for guessing which three but they were well done. Jamie Groote sang a set of Jake Heggie songs plus Strauss’ Beim Schlafengehen. Always excellent to hear Strauss sung well. Asitha Tennekoon rounded things off with a set from Wolff’s Mörike Lieder and songs by Holman (Fair Daffodils; obligatory CanCon), Gurney and Finzi. It’s all high class stuff and there’s about 90 minutes of singing. The platform is Vimeo and it looks and sounds good. It’s free and available here.
In streaming news Soundstreams has added a lovely concert of Ian Cusson’s Five Songs on Poems of Marilyn Dumont and Raven Chacon’s Ella Llora. The performers are mezzo Rebecca Cuddy and pianist Gregory Oh. I really urge people, Canadian or otherwise, to take a look at this. The news, as it pertains to Indigenous people in Canada, has been really grim in recent weeks and I don’t know anything quite like Dumont’s verse for conveying certain aspects of the Indigenous experience. She combines, sadness, anger and disarming humour in a way that touches me deeply and Ian’s settings intensify that. I’ve written about these songs before but never at such a moment.
Toronto Operetta Theatre’s latest offering is a webstream of Emmerich Kálmán’s 1915 operetta The Csárdás Princess (Die Csárdásfürstin) presented here in English with the usual minor tweaks to the dialogue including obligatory Rob Ford jokes, which have become something of a TOT tradition. The plot turns on the fact that an Austro-Hungarian aristo, let alone a second cousin of the Emperor, can’t marry someone with fewer than 64 quarterings on their coat of arms, let alone a cabaret singer. Implausible impersonations etc abound and love triumphs in the end. It’s all entirely harmless for heaven forfend that anything satirical might have made it past the Vienna censorship, especially in wartime. And there’s no sex because this isn’t France. The humour mostly turns on Hungarian antipathy for their Austrian masters. It’s light hearted and very tuneful fun.
Do you remember back when real live musicians used to perform for a real live audience? Well some mad dudes are trying to revive it. Tapestry Opera have some shows in conjunction with Canadian Stage coming up in High Park. July 10th, 11th, 17th and 18th you can catch the show “Box Concerts” that Tapestry have been taking around health care facilities and offering for private booking. It’s PWYC. Booking is via Canadian Stage. Also on the 17th at 3pm there’s an extended program including excerpts from Rocking Horse Winner where Asitha Tennekoon will be joined by Midori Marsh and Lucia Cesaroni. That’s $50 booked at the same page.
Against the Grain Theatre have released a location shot film of Holst’s Sāvitri on Youtube. It’s a very beautiful film with some fine music making but I really wonder why anyone would choose to lavish their talents on this particular opera.