March is looking a bit thin right now. Both UoT Opera and the Glenn Gould School have shows though. From the 12th to the 15th in the MacMilan Theatre (7.30pm, Sunday 2.30pm) the university is doing Jonathan Dove’s Mansfield Park in a production by Tim Albery. I’m not familiar with this work but generally I’ve been very impressed with Dove’s vocal music. Casting etc is here. On the 18th and 20th the GGS is putting on Ravel’s L’heure espagnole and Puccini’s Suor Angelica which is certainly an unusual pairing. The double bill plays at Koerner Hall at 7.30pm. Casting and creative team details are here. UoT also have a show on the 27th at 5pm in Walter Hall called Parlami d’Amore. In non university gigs, Tapestry Songbook X is at the Ernest Balmer Studio on the 20th at 8pm.
In free events there are a couple of noon hour concerts in the RBA. On the 17th the Ensemble Studio have a March Break “Opera for All Ages” concert and on the 31st transgender soprano Brianna Sinclair is appearing. And of course there’s Opera Pub in its usual time and place on the 5th.
The second half of January kicks off with the COC’s revival production f Rossini’s Barber of Seville, this time starring Emily D’Angelo as Rosina. There are eight performances running to February 7th.
. Sunday 26th at 2pm there’s a concert in the Mazzoleni Songmasters series. It’s called Sirens and features Leslie Ann Bradley, Allyson McHardy and Rachel Andrist in a suitably watery and alluring program.
Yesterday’s lunchtime concert in the RBA was the last for the year in the vocal series and featured members of the Ensemble Studio. Rachael Kerr was scheduled to do about half the accompanying but illness prevented her from playing so some hasty reprogramming meant that what we got differed somewhat from the printed programme but it was still a very well put together effort.
Tapestry and the COC collaborated for yesterday’s concert in the RBA. The performers were members of the Ensemble Studio. The material was a mix of numbers from the Tapestry back catalogue plus a couple of songs by COC composer in residence Ian Cusson.
The Ensemble Studio Competition again last night. Seven singers were competing with Ben Heppner’s jokes for cash prizes, champagne and, possibly, a place in the COC Ensemble Studio. There’s one thing I think is vital to understand about the Ensemble Studio Competition. The judges have been working with the singers for a week. The audience gets to hear them sing one aria. It’s easy to see why there isn’t always concurrence between the hall and the judging table. (That’s my excuse anyway).
The contestants with Alexander Neef and Johannes Debus
I think it’s time to get back to doing two listing posts per month as the schedule is getting pretty busy.
On November 1st at 8pm Karina Gauvin is appearing at Koerner Hall with the Pacific Baroque Orchestra in a programme of opera arias from 18th century St. Petersburg. The following night at 7.30pm, in Mazzoleni Hall, the Glenn Gould School has its fall production. This time it’s Jonathan Dove’s Siren Song. Curiously UoT Opera is also doing a work by Dove this season.
Yesterday, as has become customary, the 11th season of free concerts in the Richard Bradshaw Amphitheatre began with a concert given by the COC Ensemble Studio. It’s always interesting as there are always new members; some of whom I will be familiar with from UoT or the Conservatory and some not. It’s also a “level setter” to see how much progress people make during the year because there are usually one or two singers who still seem to be finding their way into their voice. I really didn’t see any of that yesterday. I think what I saw and heard was the strongest line up I’ve seen yet with no obvious weak links.