September upcoming

The season starts to ramp up a bit…

Concerts and Opera

  • September 1st at Lula Lounge, Louisa Lyne & di Yiddishe Kapelye, present Leonard Cohen in Yiddish as part of the Ashkenaz Festival.
  • September 18th is the opening of Verdi’s La Traviata at the Four Seasons Centre. There are ten performances split between two casts with the last on October 17th.
  • September 23rd sees the Ensemble Studio open the Free Concert Series in the RBA. Note these shows are still free but are now ticketed.
  • September 30th is National Truth and Reconciliation Day and the COC has a lunchtime lecture/recital in the RBA by mezzo Camryn Dewar on The Evolution of Female Indigenous Representation in Canadian Opera from 1879 to Present.
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Les adieux – Emily and Duncan edition

As has become the custom, the two members of the Ensemble Studio completing their stints at the end of this season gave a “Les adieux” recital in the RBA on Tuesday. It was time to say goodbye to Emily Rocha and Duncan Stenhouse with Liz Upchurch as our stalwart accompanist.

Emily chose a programme of mostly French chansons which was really rather lovely. She sang smoothly and expressively in Bizet’s Chanson d’avril and with a rather elegant languor in Paladilhe’s Psyché. There was more of the same in songs by Debussy and Poulenc; beauty, control, expressiveness! The one venture intoi opera was “Prendi, per me sei libero” from Donizetti’s l’elisir d’amore reminding us that she will be singing Adina at the COC next season. Elegant singing here too, coupled with plenty of heft.

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Lieder Nachmittag

Thursday’s RBA concert featured members of the Ensemble Studio singing German Lieder.  First up were tenor Angelo Moretti and pianist Kimly Wang with Beethoven’s An die ferne Geliebte.  Although this is probably the first true “song cycle” in German I feel it doesn’t get done nearly as often as the better known Schubert and Schumann cycles and it’s really pretty interesting.  I think it was also my first time hearing Angelo sing in German and he’s really very good.  This was a well articulated, rather beautifully sung set with equally skilled accompaniment. Continue reading

Simply Mozart

Thursday’s noon hour in the concert was a really great idea; combine the COC Ensemble Studio with the COC Orchestra for an all Mozart concert.  Mozart’s Symphony No.35 in D major (Hafner) was split into into its four movements with pairs of arias inserted between the movements to create what Johannes Debus, conducting, described as an opéra imaginaire.  It worked really well.

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Upcoming in the New Year

Here’s some of what January has to offer…

Toronto Operetta Theatre is doing Imre Kalman’s The Czardas Princess over the New Year holiday.  It’s st the Jane Mallett Theatre and there are shows on December 30th and January 2nd, 3rd and 4th.

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Ensemble Studio do the standards

Last Tuesdays’s concert in the RBA featured four singers and two pianists from the Ensemble Studio in a concert of highly recognisable opera arias.  I guess with Barber of Seville and Rigoletto coming p on the FSC stage that was a bit inevitable.  It was though very well done with all four singers not only singing well but really conveying a sense of character.

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Looking forward to December

‘Tis the season of family holiday shows and Messiahs.  Not that I’m planning to do much of either but here are some shows that you might be interested in…

  • On December 7th, the earliest of the Messiahs.  Toronto Choral Society have a matinée performance at Koerner Hall.  Soloists include Quinn Kelsey and Teresa Tucci .
  • The Ensemble Studio have a noon hour concert on December 9th in the RBA
  • Rogers vs Rogers opens at Crow’s Theatre on December 10th.  This is another adaptation by Michael Heaney of a book about Toronto shenanigans.  He was also responsible for The Masterplan.  Previews are the 2nd to the 9th with the run extending to January 3rd.

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Ensemble Studio kick off

The free concert series in the RBA kicked off on Wednesday with, as usual, a performance by the artists of the COC’s Ensemble Studio.  Owing to illness only five singers performed and only one of those, Emily Rocha, was a returnee.  The other four singers and both pianists were newcomers.  It was short but enjoyable.

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More farewells

The first of this year’s Les Adieux concerts for departing members of the Ensemble Studio took place Tuesday lunchtime in the RBA.  It was supposed to feature Brian Cho, Mattia Senesi, Korin Thomas-Smith and Karoline Podolak but Karoline was indisposed so Emily Rocha (not leaving) jumped in at the last minute.

The rearranged programme worked pretty well with maybe a bit more opportunity for the pianists.  Sio, Mattia  played the Intermezzo from Brahms’ Op 118. No. 2, which was very nicely done and Brian closed things out with just the piano part from Schumann’s Widmung which works surprisingly well, at least if one is familiar with the song. Continue reading