I think it’s time to get back to doing two listing posts per month as the schedule is getting pretty busy.
On November 1st at 8pm Karina Gauvin is appearing at Koerner Hall with the Pacific Baroque Orchestra in a programme of opera arias from 18th century St. Petersburg. The following night at 7.30pm, in Mazzoleni Hall, the Glenn Gould School has its fall production. This time it’s Jonathan Dove’s Siren Song. Curiously UoT Opera is also doing a work by Dove this season.
Yesterday, as has become customary, the 11th season of free concerts in the Richard Bradshaw Amphitheatre began with a concert given by the COC Ensemble Studio. It’s always interesting as there are always new members; some of whom I will be familiar with from UoT or the Conservatory and some not. It’s also a “level setter” to see how much progress people make during the year because there are usually one or two singers who still seem to be finding their way into their voice. I really didn’t see any of that yesterday. I think what I saw and heard was the strongest line up I’ve seen yet with no obvious weak links.
September starts the slow ramp up to the new season. The first thing in my calendar is Mysterious Barricades on September 14th from 1pm to 2pm in Walter Hall. This is a series of coast to coast, dawn to dusk concerts in aid of Suicide Awareness. Russell Braun, Monica Whicher and Nathalie Paulin are all involved. It’s free but ticketed. Check the link for details.
Last night at the COC there was a special performance of Puccini’s La Bohème. The cast was made up, for the most part, of current and past Ensemble Studio members and tickets had been made available free to a variety of community groups. It was billed as “Opera for Toronto”. There had also been a small number of tickets available on line on a first come basis and, by the looks of things , a fair number of comps for the cast.
Afarin Mansouri giving an introductory talk in Farsi – Credit: Gaetz Photography
Liz Upchurch has now been head of the COC Ensemble Studio for twenty years. To put that in perspective, Alain Coulombe was an Ensemble Studio member back then. So Liz has deeply influenced a whole generation of Canadian singers and it was fitting that there should be a concert in her honour in the Richard Bradshaw Amphitheatre. It’s named for the man who brought her to the COC and it’s been the venue for countless concerts by the Mama Bear’s cubs.
This was baritone Sam Chan and pianist Stéphane Mayer’s farewell to the Ensemble Studio. It was an all Schubert program; Poetisches Tagebuch (Schulze), the Impromptu in G flat and the Goethe Lieder. It was a very classy performance by any standards. There was no need here to make allowances for “young artists”. One would have been happy to pay Koerner Hall prices to hear a recital of this quality.
Stéphane Mayer and Samuel Chan performing in the Canadian Opera Company’s Free Concert Series in the Richard Bradshaw Amphitheatre, photo: Dan Truong
Off I went to the Four Seasons Centre to see Samuel Chan and Stéphane Mayer perform some Schubert. Sadly Sam was indisposed so what we got was a hastily, but very well, constructed program featuring some of the other singers in the Ensemble Studio.
Things kicked off with the increasingly impressive Anne-Sophie Neher in an accomplished rendering of Mozart’s “show off” piece Exsultate jubilate, in which she showed very decent control in the rather fiendish runs. She was back later with “The Presentation of the Rose” from Der Rosenkavalier which sounded suitably Straussian and sufficiently girlish at the same time. Nicely done. She made a third appearance with one of Adèles’s arias from Le comte Ory. This didn’t quite do it for me but it was fun to hear Stéphane playing around with the very Rossiniesque accompaniment.