I only have two confirmed events for May. On Thursday 6th there is Tapestry’s Sketch Opera Singers 2.SOS1 was a hoot and the brief excerpt for the upcoming show on Tapestry’s Youtube channel suggests the new one will be fun too. If you haven’t seen it check it out. It’s the famous ABBA-nera by Sven Bizet. Like all Tapestry’s streams SOS2 will be free on Youtube.
I think last night’s virtual conference with Michael Mori and Jaime Martino of Tapestry marks the first real announcement of intention for the 2021/22 season by any Canadian company and it offers insight into what may and may not be possible in the next year to eighteen months. Tapestry adapted quickly and creatively to COVID conditions and so I think their read on the future is important. So here’s my take on what was said.
They are planning for live performances with an audience from January 2022. That sounds about right to me. In their case they are looking at two site specific works. Gould’s Wall by Brian Current; libretto by Lisa Balkan, is to be performed at the Royal Conservatory. I thought this was a great idea when I first heard about it from Brian four years ago and I’m really looking forward to it. The other piece, to be performed at OCAD, is Nicole Lizée’s Rossum’s Universal Robots with libretto by Nicolas Billon. I think this originated in the LibLab in November of 2014. There are a number of other new works in the pipeline for future seasons.
It seems like Ontario is changing its policy on what’s open and what’s not and who gets vaccinated and who doesn’t about three times/week right now and, among other things, it’s playing havoc with the creation of on-line content.
This will be a bit of an “odds and sods” round up. First off, check out Natalya Gennadi and Catherine Carew’s latest offering on Natalya’s Youtube channel. The music is very good but the animated effects are amazing. Over at Against the Grain you can see Joel Ivany interviewing HE Adrienne Clarkson who is always interesting to talk to.
Over the next few months Tapestry will be offering three new shows recorded in the Ernest Balmer Studio and streamed via Youtube. The line up is:
A Joke Before the Gallows: Pianist Adam Sherkin performs a musical story celebrating the dramatic music of Chopin, directed by Tom Diamond, with text by David James Brock, in co-production with The Piano Lunaire. That premiers on January 30th.
Our Song D’Hiver: Soprano Mireille Asselin explores her connection to the shared and unique elements of English-speaking and French-speaking culture. Premiers February 27th.
Where Do I Go?: Pianist Morgan-Paige Melbourne offers up a unique multidisciplinary performance combining piano with dance. That goes live on March 27th.
I’ve just received news of programming into the fall and beyond from Tapestry, Toronto City Opera and Loose Tea Music Theatre.
Tapestry have announced three livestream concerts to be shown on their Youtube channel.
October 24th 8pm: jazz pianist Robi Botos will be improvising on Tapestry’s amazing Bösendorfer Imperial Grand in live collaboration with an Art Battle Toronto artist, creating something new and unique.
November 7th: The first episode of S.O.S. Sketch Opera Singers. It’s a collection of short opera sketches like the LibLab with an amazing line up of composers, librettists and performers. Check out the details.
November 28th at 8pm there’s a collaboration between husband and wife duo soprano Xin Wang and saxophonist Wallace Halladay directed by Michael Mori and featuring the music of Ana Sokolovic.
Tapestry have also introduced a free “membership program” to create added value for their audience. Details here.
Tapestry have another in their outdoor “box concerts” series coming up Friday, August 7th at 2pm at Ehatare Retirement and Nursing Home, 40 Old Kingston Rd, Scarborough. It features tenor Asitha Tennekoon and if you are in the neighbourhood you should be able to find them. The series is aimed at community groups, retirement homes etc and if you are so inclined you can arrange for them to come visit. Details are on the Tapestry website.
The Dora winners were announced last night. I don’t think there were any big surprises in the opera category. The COC’s Rusalka scooped most awards with four including Outstanding Production. The other three were Outstanding Direction (David McVicar), Outstanding Musical Direction (Johannes Debus) and Outstanding Achievement in Design (Lighting) (David Finn). It was probably the best thing overall the COC has done in a long time so not shocked.
Yvette Nolan and Dean Burry won the Outstanding New Opera category for Shanawdithit. I’m delighted about this one as I had rather more personal emotional investment in this project than most things I see and it was an important project in so many ways. Marnie Breckenridge received the Dora for Outstanding Performance by an Individual for her performance in Jacqueline. Also well deserved and a wee but surprising as there was every reason to give this one to Sondra Radvanovsky and usually that kind of name recognition wins out. In any event two big wins for Tapestry (and a nod to Opera on the Avalon for being a smaller regional company prepared to invest in something relevant).
Finally, Soundstreams presentation of Two Odysseys: Pimooteewin / Gállábártnit won Outstanding Performance by an Ensemble. In this case Nicole Joy-Fraser, Karen
Weigold, Vania Chan, Deantha Edmunds, Jennifer Taverner, Rebecca Cuddy, Bó Bárdos, Michelle Lafferty, Jonathan MacArthur, Mitchell Pady, Evan Korbut, Bryan Martin and Neil Aronof. This was another fascinating show that deserved some recognition.
So, yes, the eight hundred pound gorilla came out on top but hardly by a knock out.