We went back last night for a second look at Shanawdithit. We were sitting up much closer to the stage area this time and that did bring out some things I hadn’t noticed so much before. It also made the role of the chorus much clearer. That said I don’t think I’d write anything much different to my original review if I were doing so again. But there are some additional thoughts that I want to share:
So May Day greetings and hello again. And here are some things you might care to see this month during your eight hours for “what you will”. It’s a bit belated for reasons previously announced but it’s here and I’m back.
Tonight at Lula Lounge at 7pm Tongue in Cheek productions have Democracy in Action. Several noted singers (Krisztina Szabo, Julie Nesrallah, Natalya Gennadi, Teiya Kasahara, Asitha Tennekoon, Romulo Delgado, Alexander Hajek and Stephen Hegedus) will perform pieces based on audience voting.
… plus a late March addition…
March 29th and 30th Tapestry are doing the Songbook thing again. This is the show where an established singer; Jacqueline Woodley this time, works with emerging artists and a pianist (Andrea Grant) plus director Michael Mori to create a show based on Tapestry’s back catalogue. There are three shows at the Ernest Balmer Studio in the Distillery; Friday at 8pm and Saturday at 4pm and again at 8pm.
Hook Up is a 95 minute musical theatre piece from composer Chris Thornborrow and librettist Julie Tepperman. It’s been a while coming. I saw the first inklings of it at Tapestry Briefs in September 2013. That morphed into Selfie seen in workshop in October 2015. Now it’s morphed again. The basic characters are still there and some of the plot elements but the focus has shifted from cyber-bullying to sexual consent and the context from high school to first year university.
Here are a few more February items of interest in addition to those mentioned here. Tapestry’s new piece Hook Up opens on January 30th at Theatre Passe Muraille and runs for most of February. Then on Sunday 3rd February at 2.30 pm VOICEBOX have a performance of Schubert’s rather rare opera Fierrebras. Kevin Mallon conducts the Aradia Ensemble for this one. Also there’s Opera Pub as usual on Thursday 7th February.
On February 16th at Gallery 345 at 8pm there will be an Against the Grain presentation of Poulenc’s La Voix Humaine. The “twist” here is that Elle becomes Lui and will be sung by tenor Jacques Arsenault. Topher Mokrzewski at the piano. Aria Umezawa directs the first in what is planned as a series of “twisted” concerts.
In free concert news there’s the Quilico Prize competition on February 11th at 5.30pm in the RBA. Once again the members of theEnsemble Studio compete for cash. At the nnon hour there’s Susan Bullock and Liz Upchurch on the 19th with a programme of Wagner, Strauss and Duparc and on the 20th there’s Samuel Chan and Stéphane Mayer with an all Schubert programme. Then on the 21st there’s Lauren Eberwein and Rachel Kerr with a Messiaen and Ravel show. Given that it’s the Jessye Norman Gala on the 20th as well I think I’ll just schlep my sleeping bag over to the Four Seasons Centre.
Also at the COC of course Elektra continues until February 22nd with Così fan tutte opening on February 5th and running until the 23rd.
Here’s what’s coming up over the holidays and into January.
Toronto Operetta Theatre’s seasonal production this year is Strauss’ Die Fledermaus. It runs December 28th through January 2nd at the St. Lawrence Centre for the Arts. The cast includes Lara Ciekiewicz as Rosalinde, Adam Fisher as Eisenstein and Caitlin Wood as Adele. Derek Bate conducts the TOT orchestra and Guillermo Silva-Marin directs.
The 21C Music Festival runs from January 16th to 20th. This time it will celebrate the American minimalist composer Terry Riley, with his music being performed in three of the concerts, including one that he will headline, titled Terry Riley: Live at 85! Full details at rcmusic.ca.
It’s September and the long, slow awakening after the annual aestivation begins. There’s not a lot on yet but what there is is interesting. The middle of the month sees Native Earth’s production of I Call myself Princess at the Aki Studio; previews from 9th to 12th September with official opening on the 13th and then shows until the end of the month. My interview with playwright Jani Lauzon is here. Also opening on the 13th is Tapestry Briefs at the Ernest Balmer Studio. Hear the product of the LibLab, hear Stephanie Tritchew, Teiya Kasahara, Peter McGillivray and Keith Klassen and eat tapas. It runs until the 16th.