September

princess2It’s September and the long, slow awakening after the annual aestivation begins.  There’s not a lot on yet but what there is is interesting.  The middle of the month sees Native Earth’s production of I Call myself Princess at the Aki Studio; previews from 9th to 12th September with official opening on the 13th and then shows until the end of the month.  My interview with playwright Jani Lauzon is here.  Also opening on the 13th is Tapestry Briefs at the Ernest Balmer Studio.  Hear the product of the LibLab, hear Stephanie Tritchew, Teiya Kasahara, Peter McGillivray and Keith Klassen and eat tapas.  It runs until the 16th.

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Looking ahead to June

Orfeo-Website-ImageJune is kind of quiet but first there’s yet another show to mention for the busy last weekend of May.  David Fallis is conducting his last performances as Music Director of the Toronto Consort.  It’s Monteverdi’s Orfeo and it’s at Trinity St. Pauls at 8pm on the 25th and 26th and 3.30pm on the 27th.  Besides David it features Charles Daniels in the title role, Kevin Skelton as Apollo, Laura Pudwell as Messagiera with Jeanne Lamon on first violin plus Montreal’s premier cornetto and sackbut ensemble La Rose des Vents.

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Tapestry 18/19

tapestry1819Tapestry’s 2018/19 season has been announced.  There are two new operas plus Tapestry Briefs and Songbook IX.  So here’s the lineup:

  • Tapestry Briefs: Tasting Shorts runs September 13th to 16th 2018.  Four singers perform short works plus drinks and tapas.
  • Hook Up, which runs January 29th to February 10th 2019 at Theatre Passe Muraille is a partnership with that company.  The libretto is by Julie Teppermann with music by Chris Thornborrow.  It looks like a sort of “coming of age” piece about starting university.  The singers are Alicia Ault, Nathan Carroll, and Jeff Lillico.  None of them are known to me but a quick Google suggests actors-who-sing/musical theatre rather than opera.
  • Songbook IX is scheduled for March 2019.  No further details at this stage.
  • Finally, and of most interest to me, is a new work co-produced with Opera on the Avalon.  It’s called Shanawdithit and tells the story of the last recorded surviving member of the Beothuk Nation in Newfoundland, and the extinction and erasure of her people. The libretto is by Yvette Nolan with music by Dean Burry and it will be performed by an indigenous cast headed by Marion Newman.  This will run on yet to be announced dates in May 2019.  I’m excited about this one.

More info here.

Assorted news and signal boosts

genderneutralHere’s the news that’s arrived in my inbox this week.

Toronto Alliance for the Performing Arts announced that from 2019 the DORA awards will be gender neutral.  In categories where there has traditionally been “Best Performance by a Male” and “Best Performance by a Female” there will now be a single “Best Performance” award.

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More in May

songbook-banner-3Looks like I missed a couple of things.  Tapestry has Songbook VII running May 10th to 12th at the Ernest Balmer Studio.  Tickets are $25 from tapestryopera.ca.  There’s also a show presented by Continuum by a Montreal based outfit called ECM.  It’s a “multimedia opera” called Hockey Noir at the Jane Mallett on May 10th and 11th.  It’s about crime and the hockey rivalry between Montreal and Toronto apparently.  Apart from that, I know nothing about anybody involved except I’m told that the singers are well regarded in Montreal.  Details here.

A few more April gigs

almaApril just keeps getting busier.  On April 12th The Women’s Musical Club of Toronto are presenting soprano Sylvia Schwartz with pianist Olivier Godin in a German and Spanish program.  It’s a t Walter Hall at 1.30pm.  Tickets are $45.  The following evening at 8pm  the remarkable 13 year old violinist and composer Alma Deutscher is appearing at Koerner Hall.  She’ll be joined by pianist Angela Park and singers Adanya Dunn and Andrew Haji who will perform excerpts from her opera Cinderella which premiered to some acclain in Vienna.

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