2021 was another year of parts. Pretty much no live indoor performances before September then a few chances to get to the theatre and now, well who knows? So what stood out for me in 2021? Here’s a round up by category.
Not much of course but there were some good shows, though opera didn’t really figure. The Home Project from Native Earth and Soulpepper was a thought provoking look at the the idea of “home”. MixTape at Crow’s Theatre explored the variegated nature of relationships through the medium of the once ubiquitous mix tape. And on a more conventional note there was a rearranged at short notice recital at Koerner hall that showcased the extremely talented Davóne Tines. Continue reading →
I only have two confirmed events for May. On Thursday 6th there is Tapestry’s Sketch Opera Singers 2.SOS1 was a hoot and the brief excerpt for the upcoming show on Tapestry’s Youtube channel suggests the new one will be fun too. If you haven’t seen it check it out. It’s the famous ABBA-nera by Sven Bizet. Like all Tapestry’s streams SOS2 will be free on Youtube.
I think last night’s virtual conference with Michael Mori and Jaime Martino of Tapestry marks the first real announcement of intention for the 2021/22 season by any Canadian company and it offers insight into what may and may not be possible in the next year to eighteen months. Tapestry adapted quickly and creatively to COVID conditions and so I think their read on the future is important. So here’s my take on what was said.
They are planning for live performances with an audience from January 2022. That sounds about right to me. In their case they are looking at two site specific works. Gould’s Wall by Brian Current; libretto by Lisa Balkan, is to be performed at the Royal Conservatory. I thought this was a great idea when I first heard about it from Brian four years ago and I’m really looking forward to it. The other piece, to be performed at OCAD, is Nicole Lizée’s Rossum’s Universal Robots with libretto by Nicolas Billon. I think this originated in the LibLab in November of 2014. There are a number of other new works in the pipeline for future seasons.
It seems like Ontario is changing its policy on what’s open and what’s not and who gets vaccinated and who doesn’t about three times/week right now and, among other things, it’s playing havoc with the creation of on-line content.
This will be a bit of an “odds and sods” round up. First off, check out Natalya Gennadi and Catherine Carew’s latest offering on Natalya’s Youtube channel. The music is very good but the animated effects are amazing. Over at Against the Grain you can see Joel Ivany interviewing HE Adrienne Clarkson who is always interesting to talk to.
Over the next few months Tapestry will be offering three new shows recorded in the Ernest Balmer Studio and streamed via Youtube. The line up is:
A Joke Before the Gallows: Pianist Adam Sherkin performs a musical story celebrating the dramatic music of Chopin, directed by Tom Diamond, with text by David James Brock, in co-production with The Piano Lunaire. That premiers on January 30th.
Our Song D’Hiver: Soprano Mireille Asselin explores her connection to the shared and unique elements of English-speaking and French-speaking culture. Premiers February 27th.
Where Do I Go?: Pianist Morgan-Paige Melbourne offers up a unique multidisciplinary performance combining piano with dance. That goes live on March 27th.
I’ve just received news of programming into the fall and beyond from Tapestry, Toronto City Opera and Loose Tea Music Theatre.
Tapestry have announced three livestream concerts to be shown on their Youtube channel.
October 24th 8pm: jazz pianist Robi Botos will be improvising on Tapestry’s amazing Bösendorfer Imperial Grand in live collaboration with an Art Battle Toronto artist, creating something new and unique.
November 7th: The first episode of S.O.S. Sketch Opera Singers. It’s a collection of short opera sketches like the LibLab with an amazing line up of composers, librettists and performers. Check out the details.
November 28th at 8pm there’s a collaboration between husband and wife duo soprano Xin Wang and saxophonist Wallace Halladay directed by Michael Mori and featuring the music of Ana Sokolovic.
Tapestry have also introduced a free “membership program” to create added value for their audience. Details here.
Tapestry have another in their outdoor “box concerts” series coming up Friday, August 7th at 2pm at Ehatare Retirement and Nursing Home, 40 Old Kingston Rd, Scarborough. It features tenor Asitha Tennekoon and if you are in the neighbourhood you should be able to find them. The series is aimed at community groups, retirement homes etc and if you are so inclined you can arrange for them to come visit. Details are on the Tapestry website.