My review of Opera Atelier’s production of Handel’s La resurrezione is now up at Bachtrack. There are two more performances; tonight (8th April) at 7.30pm and tomorrow at 2.30pm.
Photo credit: Bruce Zinger
Opera Atelier’s La resurrezione
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Opera Atelier’s upcoming production of Handel’s The Resurrection
Ahead of Opera Atelier’s upcoming production of Handel’s The Resurrection (La resurrezione) at Koerner Hall next week (6th to 9th April) there was a lunchtime preview in the RBA on Tuesday. Later that day I sat down with director Marshall Pynkoski to find out more about the work, OA’s relationship to it and its rather tortuous journey to the Koerner Hall stage.
April 2023
Here’s what I know about so far for April.
On April 6th at 1.30pm in Walter Hall, Music in the Afternoon is presenting a concert featuring Marion Newman, Melody Courage, Evan Korbut and Gordon Gerrard in a mix of classical song and contemporary works on Indigenous themes including music by Ian Cusson, Bramwell Tovey and Tomson Highway.
Later that day, at 7.30pm at Koerner Hall, Opera Atelier have the first of three performances of Handel’s The Resurrection. This is the fully staged version of the production that streamed during lockdown. There are further performances on the 8th at 7.30pm and the 9th at 2.30pm.
March 2023
Here’s a look ahead to March.
March 3rd and 5th, Opera York are presenting Mozart’s The Magic Flute at the Richmond Hill Centre for the Performing Arts. Details are here. Also on the 5th at 1pm Opera Revue are playing a new venue; The Aviary in the Canary District. (They are playing another new venue, Granite Brewery, on the 12th. Opera Revue your source for craft beer!) And the following night at 7.30pm it’s AtG’s Opera Pub at the Drake at 7.30pm.
From the 9th to the 12th it’s UoT Opera’s spring offering at the MacMillan Theatre. This year it’s Arthur (not George) Benjamin’s A Tale of Two Cities. Benjamin is probably the only opera composer to be shot down by Hermann Göring. I’m not sure what, if anything, that says about his music.
Opera Atelier’s Dido and Aeneas revived
My review of Opera Atelier’s production of Purcell’s Dido and Aeneas is now up at Opera Canada.
Photo credit: Bruce Zinger
Even more listings
Even more listings for early/mid October…
- October 1st at 7.30pm at Trinity St. Paul’s Toronto Mendelssohn Singers have a concert of (mainly) contemporary a cappella music titled The Pilgrim’s Way. This is a new initiative in which the professional core of the Toronto Mendelssohn Choir will perform as a 24 person ensemble. I’m quite fond of good professional choirs singing interesting stuff (see CD and concert reviews of The Crossing and LA Master Chorale).
- Opera Atelier open a run of Purcell’s Dido and Aeneas on the 20th at 7.30pm at the Elgin Theatre. Meghan Lindsey and Colin Ainsworth are the lovers. Also on the 21st and 23rd.
- Toronto Operetta Theatre will perform Offenbach’s Orpheus in the Underworld on the 21st at 8pm at the St. Lawrence Centre for the Arts. The cast includes Vania Chan, Tonatiuh Abrego, Gregory Finney, Joshua Clemenger, River Guard and Mairi Demings. Also playing on the 22nd and 23rd.
As the season ramps up…
Looking ahead to the next few weeks:
- From September 11th to 25th Crow’s Theatre has a show; The Shape of Home: Songs in Search of Al Purdy. This is a sort of staged song cycle exploring the words and ideas of “Canada’s unofficial poet laureate”.
Slim pickings
As you probably now theatres are closed in Ontario until the end of January and, it seems, organisations are taking a very cautious approach to February. It’s not very heroic but given the flakiness of the Ontario government it’s understandable. The COC’s Madama Butterfly is to be an on-line stream and a whole raft of performances at the RCM are postponed or rescheduled. The only confirmed shows of vocal interest at this point that I’m aware of in February are the Stewart Goodyear concert on February 9th and the Opera Atelier All is Love on February 19th and 20th; both at Koerner.
All the news that fits…
There is news. The COC has cancelled “in person” performances of Madama Butterfly. Instead it will be “made available as a free digital presentation to current 2021/2022 COC subscription holders who are continuing to support Canadian opera through the donation, exchange, or credit of tickets.” How that works I have no idea.
Also at the COC, they are taking a rather interesting approach to land acknowledgements. You can learn more about it in this ten minute video.
Angel
Opera Atelier’s new film Angel premiered last night. It consists of six scenes which, we are told, can be performed as a sequence or individually. There’s a basic theme of “angels” and the texts are drawn from Milton and Rilke (in translation). The score is by Edwin Huizinga and Christopher Bagan with some of the dance music being actual baroque works.
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