On Saturday evening the Toronto Mendelssohn Singers gave a very beautiful, carefully constructed and thought provoking concert. To start with it was at the Church of the Holy Trinity which, as most Torontonians will know, is a sort of social hub servicing the spiritual and material needs of Toronto’s homeless as best they can. All the more ironic as it sits in the shadow of that iconic temple of consumer capitalism the Eaton Centre.
Saturday night saw the inaugural concert of the Toronto Mendelssohn Singers; the professional core of the much larger Toronto Mendelssohn Choir, at Trinity St. Paul’s with Jean-Sébastien Vallée conducting. There were four pieces on the programme; one very substantial and three shorter works. Things kicked off with a pleasant but essentially conventional arrangement by Dierdre Robinson of Steal Away. This was followed by an Arabic piece by composer-in-residence Shireen Abu-Khader called I Forgive where the choir was joined by soloist Raneem Barakat. This dealt with the short life and death of Egyptian LGBTQ activist Sarah Hegazi and was rather beautiful with intriguing Arab influences especially in the solo part. Then came Elgar’s Lux Aeterna arranged for choir by John Cameron.
Even more listings for early/mid October…
operaramblings 