March 3rd and 5th, Opera York are presenting Mozart’s The Magic Flute at the Richmond Hill Centre for the Performing Arts. Details are here. Also on the 5th at 1pm Opera Revue are playing a new venue; The Aviary in the Canary District. (They are playing another new venue, Granite Brewery, on the 12th. Opera Revue your source for craft beer!) And the following night at 7.30pm it’s AtG’s Opera Pub at the Drake at 7.30pm.
From the 9th to the 12th it’s UoT Opera’s spring offering at the MacMillan Theatre. This year it’s Arthur (not George) Benjamin’s A Tale of Two Cities. Benjamin is probably the only opera composer to be shot down by Hermann Göring. I’m not sure what, if anything, that says about his music.
Closing out November there’s Opera Revue at Castro’s this afternoon at 3pm and a couple of concerts on Wednesday. At lunchtime Wirth Prize winner Elisabeth Saint-Gelais and collaborative pianist Louise Pelletier present an intriguing looking programme in the RBA then at 7.30pm at Mazzoleni Hall the RCM’s Rebanks fellows are performing. Both are free but the Mazzoleni concert is ticketed and may be sold out.
Ruckus at the Revival from Opera Revue lived up to the billing. It was informal, it was fun, there was booze and the average age of the audience was about COC-30. The usual suspects were joined by Liliane Brooks, Ryan Downey and Dylan Wright (looking FABULOUS darlings) and some dude called Mike with an electric guitar. Plus your favourite Warner Bros characters.
Less a Toronto listings summary than a quick review of things going on in various real and virtual spaces.
On November 6th my good friends at Opera Revue have a “gala”; Ruckus! at the Revival. Besides the usual suspects there are several guests and I believe it starts at 6.30pm not 7.30 like the poster says. There’s a very short and very silly trailer here.
As usual it’s pretty quiet. Here’s a few things I am aware of.
July 31st – Opera Revue @ Castro’s Lounge, 3:00pm-6:00pm. PWYC
Summer Opera Lyric Theatre has a short season at the Alumnae Theatre on Berkeley Street. There are three shows: (at 8pm unless otherwise specified)
Menotti’s The Consul – July 29th, August 3rd (2pm), 4th and 6th.
Humperdinck’s Hansel and Gretel – July 30th, August 2nd, 6th (2pm) and 7th (2pm)
Mozart’s The Marriage of Figaro – July 30th (2pm) and 31st (2pm), August 3rd and 8th.
August 4th to 12th in the atrium at the Royal Conservatory it’s Tapestry’s production of Brian Current’s Gould’s Wall. As of time of writing all performances are sold out.
And a bit further out Iain Scott is organising a tour to Dresden in March to see the Decker/Thielemann Ring. Details are on his website. Giving advance notice because apparently numbers for this need to be confirmed by August 22nd.
Here’s a quick round up of recent webstreams. The main event is the concert streamed by the COC over the weekend featuring Jane Archibald with the COC Orchestra and Johannes Debus. There’s about forty five minutes of music and it’s predictably classy music making though it’s emotionally taxing to look at an empty Four Seasons centre again. The program includes Mozart. Handel, Strauss, Massenet, Gounod and Bernstein. Arguably it’s a bit predictable but both musical and technical values are high. It’s avaiable free until August 27th via registration at the COC website.
2021 was another year of parts. Pretty much no live indoor performances before September then a few chances to get to the theatre and now, well who knows? So what stood out for me in 2021? Here’s a round up by category.
Not much of course but there were some good shows, though opera didn’t really figure. The Home Project from Native Earth and Soulpepper was a thought provoking look at the the idea of “home”. MixTape at Crow’s Theatre explored the variegated nature of relationships through the medium of the once ubiquitous mix tape. And on a more conventional note there was a rearranged at short notice recital at Koerner hall that showcased the extremely talented Davóne Tines. Continue reading →
The annus horribilis of 2021 seems to be going out with a whimper rather than a bang; at least musically in Toronto. Much of the streamed content on offer consists of repeats which is, I suppose, a holiday tradition. In this category we could include Against the Grain’s Messiah:Complex showing on Youtube and at TIFF and Essential Opera’s December. There’s still some new stuff appearing. Opera Revue have a rather good short piece about the exorbitant cost of aviaries in Toronto on Youtube. (They also have a live show coming up this weekend at the Emmett Ray. The COC have a show I(n Winter coming up this weekend on the COC web site featuring music by, among others, Vivaldi and Ian Cusson. There are also a couple of very short concerts from the RBA on the COC’s Youtube channel. Also, this year the annual Krehm memorial concert in aid of St. Mike’s ICU is on Youtube at 5.30pm on Boxing Day. Rachel Krehm is singing Mahler’s Lieder eines fahrenden Gesellen in the Schoenberg arrangement and that will be followed by a chamber reduction of Beethovens Symphony No.7. Evan Mitchell conducts the Canzona Chamber Players. For live, Tafelmusik have a sort of Christmas “greatest hits” concert and the TSO have a much shortened Messiah. Apart from that the holiday season is looking like booze and booster shots.
Here are a few things I’ve noticed on the web recently:
There’s a workshop from the Isabel Bader Centre at Queens called Echo:Memories of the World which looks at cultural memory and cultural transmission from both a Western and an Indigenous perspective. It features Marion Newman and the Gryphon Trio among others. It’s fascinating but I found parts of it quite triggering. I don’t know how ong this is going to be available. For now it’s free. Note that while the Vimeo version of the performance works the Youtube doesn’t.
The Domoney Artists Youtube channel has new Opera Breaks from Natalya Gennadi and Asitha Tennekoon.
Also on Youtube there’s a new piece from Opera Revue which may be even dafter than their previous efforts, which set a pretty high bar for daftness.