Simone Osborne and Rachael Kerr in the RBA

DI-01761Wednesday’s lunchtime recital in the RBA featured Simone Osborne; currently appearing as Norina in Don Pasquale, and pianist Rachael Kerr.  It was a well curated selection of songs apparently, at least partially, inspired by sleep deprivation singer and pianist both have small children!).  There were three sets of four songs.  One in each set was by a Canadian composer backed up by two others that were thematically related.

So the first set featured birds.  Geoffrey Ridout’s arrangement of She’s Like The Swallow was supported by Viardot’s Grands oiseaux blancs and Grieg’s “Ein Schwan” from Sex digte af Henrik Ibsen.  It worked.  The Ridout got a reasonably folk song like treatment, the Viardot was dramatic and the Grieg was just beautiful.  A good start. Continue reading

La France au printemps

france 2Thursday’s concert by members of the Ensemble Studio in the RBA was an all French affair (at least as far as language went) and it was rather good.  Karoline Podolak iniated proceedings with Mattia Senesi at the piano with Kurt Weill’s “Youkali”.  Now I’ve heard this sung by everybody from Barbara Hannigan to Benjamin Appl and I’d have to see that Ms. Podolak is right up there.  There was no male stripper though.

Korin Thomas-Smith has something of a penchant for the bizarre and I think that’s a fair description of two sets drawn from Apollinaire’s Bestiaire.  There were five of the Poulenc settings (about as far from Dialogues of the Carmelites as one could imagine) and six from Rachel Laurin’s more atonal and abrasive settings.  I would probably sing these songs if I had four dromedaries and could sing.  Fine work from Brian Cho at the piano. Continue reading

All is Love preview

Tuesday’s lunchtime performance in the RBA was a preview of the upcoming Opera Atelier show All is Love which is essentially a remount of the February 2022 show that nobody much saw because it happened during a blizzard with most of downtown closed due to “trucker” activity.

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One to watch

Last wednesday’s RBA recital was given by mezzo-soprano Jingjing Xu; the 2022/23 Wirth Vocal prize winner, and Christopher Knopp; piano.  It was one of the most impressive performances by a singer at this stage of her career (just finished her master’s) that I have heard in quite a while.  Mr. Knopp is pretty impressive too and it’s obvious that they have worked together quite a lot.

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The Colour of Joy

The Canadian Art Song Project presented their latest commission in the RBA on Wednesday lunchtime.  But first we got Jorelle Williams and Steven Philcox with four songs by iconic Canadian/American composer R. Nathaniel Dett.  I confess that early 20th century American song is rarely to my taste and the first three Dett songs I found workmanlike but not especially interesting.  The fourth though; The Winding Road to a text by Tertius Van Dyke I found much more interesting.  It seemed that Dett had allowed himself to be more “American”.  There were influences from both “Negro music” and marching band here with an overall effect not unlike some of Charles Ives’ songs.  I can’t knock the performance though.  It did full justice to the songs; especially the last.

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Love and Song

2021.8.16+Simone+McIntosh8799The Valentine’s Day recital in the RBA was given by Simone McIntosh and Rachael Kerr.  They served up fare appropriate to the occasion unlike in 2013 when Franz-Josef Selig gave us a Valentine recital mostly about Death!  It was an interesting mix of material starting with two of the Britten folk song arrangements; “The trees they grow so high” and “The miler of Dee”.  Quite a bold choice in some ways as the first one is almost, but not quite, a capella so there’s nowhere to hide.  It was good.  Not only was Simone’s voice accurate and expressive but she gave herself some metrical freedom.  There is nothing worse than a singer singing this material as if they have a broomstick up their ass.

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Sara Schabas – In a Dark Blue Night

Tuesday’s lunchtime recital at the Four Seasons Centre was given by soprano Sara Schabas and pianist Isabelle David backed up by some (mercifully concise) musicological/historical background from Robin Elliott.  The concert was in two parts.  The first celebrated the work of Austrian-Jewish composers active in Vienna in the first third of the 20th century.  The second was a song cycle in Yiddish celebrating the Jewish immigrant experience in New York.

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Winter Celebrations

DI-08628My usual reaction to holiday season concerts is (polite version) “Bah humbug”.  The less polite version involves reindeer placement.  That said Thursday’s concert from the COC Ensemble Studio was really rather enjoyable.

It opened with Brian Cho and Mattia Senesi doing a four hands version of “Dance of the Sugar Plum Fairy”.  Regrettably they didn’t dance.  I guess Korin Thomas-Smith could have filled that role as later in the day he showed some very cool moves but that’s another story.

There was Handel of course; Queen Hezumuryango with “O Thou that Tellest Good Tidings to Zion” and Wesley Harrison with “Ev’ry Valley”.  Both of those featured later in the day too.  But that’s another story.

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