September starts the slow ramp up to the new season. The first thing in my calendar is Mysterious Barricades on September 14th from 1pm to 2pm in Walter Hall. This is a series of coast to coast, dawn to dusk concerts in aid of Suicide Awareness. Russell Braun, Monica Whicher and Nathalie Paulin are all involved. It’s free but ticketed. Check the link for details.
Last night’s Toronto Summer Music concert at the Church of the redeemer was headlined by Daniel Taylor, Charles Daniels and Steven Philcox but, somewhat to my surprise, also featured multiple fellows from both the art song and chamber music programmes.
The “headliners” kicked things off with Britten’s canticle Abraham and Isaac, based on one of the Chester Mystery Plays. I thought I knew this piece but soon realised I was confusing it with the setting of Owen’s The Parable of the Old Man and the Young in the War Requiem! It’s an interesting piece with a very medieval Catholic take on an Old Testament story. It was performed here with the delicacy and attention to detail I’d expect from these performers.
Last night saw the first concert of this year’s Toronto Summer Music Festival. The theme was “Beyond Borders” with most of the works presented; a mixture of piano, violin and vocal, having been influenced by other cultures/places or written in exile.
This year’s Canadian Art Song Project commission is a setting of poems by EJ Pratt by Dean Burry entitled Sea Variations. It was given its first performance yesterday in the Richard Bradshaw Amphitheatre by Michael Colvin and Stephen Philcox. The texts all deal with the moods of the sea and seem curiously archaic for the 1920s when they were written. They are much more reminiscent of, say, Matthew Arnold than Yeats, let alone Eliot. They have a certain power though and anybody who knows the North Atlantic will easily appreciate why they might appeal to fellow Newfoundlander Burry.
The Vocalis series from the UoT’s graduate students tends to fly under the radar a bit. Perhaps because it’s usually lost in the abundance of free university linked concerts in Walter Hall. Sunday night’s performance though was at the Extension Room; always an interesting venue, with more room for actor/singers to move around and interact with the audience. The theme was Mother Earth, and our responsibility to nurture the planet that nurtures us. Coal Barons and Big Oil can switch off now.
Today saw a dawn to dusk livestream of concerts from St. John’s to Victoria; presented as Mysterious Barricades, aimed at raising awareness about suicide, suicide prevention and mental health generally. I doubt there’s anybody whose life has not been touched by this issue, certainly not mine. Anyway I made it out to Walter Hall for Toronto’s sixty minute contribution organized by Monica Whicher. It was heartening to see so many artists of the highest calibre making their talents available for the cause. So, not a review but heartfelt thanks to John Gregg, Russell Braun, Carolyn Maule, Nathalie Paulin, Norine Burgess, Judy Loman, Marie Bédard, Steven Philcox, Turkwaz, Andrea Levinson and the Mysterious Barricades Toronto Chorale and, of course, Monica for organizing. One day perhaps…
Last night’s early evening free “shuffle” concert at Heliconian Hall featured Krisztina Szabó and Stephen Philcox. They started out with Xavier Montsalvatge’s Cinco canciones negras; a lively collection of Spanish songs featuring scenes from Cuban life. The songs, very much French influenced, varied in mood from quite sombre to wild and were presented with skill and wit. The main event though was the reprise of two works that Philcox and Szabó premiered in March at Walter Hall; Miss Carr in Seven Scenes by Jeffrey Ryan and Four Short Songs by John Beckwith. I reviewed that March performance here and really don’t see any reason to revise my opinion about the works or the performances except to note that last night, of course, Krisztina sang all the Beckwith songs.