It’s seven years since Elizabeth Krehm died and last night we heard the seventh memorial concert organised by her sister Rachel at Christ Church Deer Park. As ever I was amazed and delighted at the resources the extended Krehm family can draw on. The Canzona Chamber Players Orchestra is essentially a scratch operation but in the hands of conductor Evan Mitchell it’s always a pleasure to listen to.
There’s something very special about a song recital by a really good singer at the top of his/her game in a space conducive to song. The stars conjoined yesterday to yield a recital by Adrianne Pieczonka with pianist Rachel Andrist in the song friendly acoustic of Mazzoleni Hall, as part of the Mazzoleni Songmasters series.
Yesterday Matthew Cairns and Rachel Kerr performed an unusually wide range of songs in the Richard Bradshaw Amphitheatre. It’s part of Matthew’s prep for his CBC recording session which was part of the prize at last year’s Centre Stage and which will be broadcast in the new year. They kicked off with a contrasting pair of Duparc song’s. First came the almost dreamy L’invitation au voyage with it’s arpeggio accompaniment followed by the much more dramatic Le manoir de Rosemonde. These really set the tone for the recital. There was power where it was needed but also considerable delicacy from both singer and pianist.
Yesterday’s lunchtime recital in the RBA was given by soprano, Vanessa Vasquez and pianist Miloš Repický. It was a well constructed programme though there were few surprises. The first set was three Strauss standards; Ständchen, Breit’ übermein Haupt and Befreit; the last dedicated to Vanessa’s teacher who died recently. They were all well sung with appropriate emotional emphasis and, best of all, both performers appeared to be enjoying themselves.
I’ve learned not to dismiss Romeo Castellucci’s work on first watching because it has a nasty habit of starting to make sense on reflection. His 2018 production of Richard Strauss’ Salome for the Salzburg Festival may be a case in point. Castellucci seems determined to destroy any preconceptions we have about the work and Franz Welser-Möst in the pit is a willing accomplice.
Last night saw the first concert of this year’s Toronto Summer Music Festival. The theme was “Beyond Borders” with most of the works presented; a mixture of piano, violin and vocal, having been influenced by other cultures/places or written in exile.
Yesterday’s Mazzoleni Songmasters recital featured the relatively unusual combination of soprano Monica Whicher accompanied by Judy Loman on harp. It was a very well constructed and executed afternoon of song. Each set had something to offer.Th first set was of English songs of the 16th and 17th centuries including the very lovely O Death Rock Me Asleep attributed, almost certainly inaccurately, to Anne Boleyn. All very touching and harp seeming very appropriate for songs which were likely intended for lute accompaniment.