Yesterday’s RBA concert was an intriguing mix of music and poetry presented by soprano Zi Xin Emily Lapin (soprano), Jialiang Zhu (piano) and Kathryn Knowles (polymath with her poet on). It was a carefully curated programme and it featured surtitles throughout (major bonus points for that).
Our Song d’Hiver is Tapestry Opera’s latest on-line offering. It’s a little over an hour long and features Mireille Asselin exploring French-English bilingualism and biculturalism as it manifests itself from l’Acadie to the Ottawa valley with a bit of Provence thrown in for good measure. It’s very cleverly done and the production values are high. In places it’s very funny and in others impossibly sad. There are lovely performances by Mimi and pianist Frédéric and guest appearances from guitarists Maxim and Gervais Cormier, poet Élise Gauthier and composers Ian Cusson and Marie-Claire Saindon.
Having been tipped off that yesterday’s RBA noon concert was to be a vocal recital rather than, as previously billed, a chamber concert I made the trip through the snow to catch it. Three of the Royal Conservatory’s Rebanks fellows were singing with Helen Becqué at the piano and assorted staff and alumni added for the final number. Attendance was a bit sparse perhaps unsurprisingly given the weather and the evident confusion. That was a shame because it was an interesting, varied and well presented concert combining well known works with some much less well known fare.