*** Treat everything on this page with caution for now. I have tried to reflect current (Spring 2022) practice and the announced subscription deals for 2022/23 but things might get weird again.***
I, or more often the lemur, frequently get asked how to get cheap tickets for the opera in Toronto. In practice this means the Canadian Opera Company because everyone else sells through some sort of ticket selling operation and the answer to the question is try TOTix and hope to get lucky. Occasionally TOTix will work for the COC too but usually only for the less desirable seats like the back of Ring 5 or the rear of the orchestra. There are better strategies for COC than TOTix most of the time and so here’s a quick and dirty guide to saving money on COC tickets.
First a word on the Four Seasons Centre which is the home of the Canadian Opera Company. It’s a gorgeous theatre and really there are no bad seats. It’s not a huge house either at 2100 seats so even the cheapest seats are much closer to the stage than in huge theatres like the Metropolitan Opera or the Coliseum in London.
The layout is a typical opera house horseshoe so there are seats in rows at Orchestra level and then a series of horseshoes or Rings that wrap around the Orchestra seats at ever higher levels. The acoustics, good everywhere, are probably best in the Rings and not so good very close to the orchestra pit. Site lines are good from everywhere except maybe the extreme ends of the Rings and one can’t see the surtitles from the very back of the Orchestra Ring. The big issue that determines price is really the view. The prime real estate is Ring 2 where single seats sell for around $350 rack rate dropping to $50 for half way back in Ring 5. Ring 5 is a relatively long way from the stage but nowhere near as far away as in a bigger house. The sound is great but opera glasses or binoculars are strongly recommended. The best value for money are probably Rings 3 and 4 and the Orchestra Ring provided you can get something reasonably central and not too many rows back.
So, the listed single ticket price ranges from $50 to around $350 but there’s really no reason to pay that. Here are some strategies for paying much, much less.
The best strategy is to be under 30! If you are you can buy tickets in section 5B for $22. For $35 you get a guarantee of a seat in 5B and a day of performance upgrade to best available. This is a really good deal. Alternatively, under 30s get about an additional 10% off subscription prices (see below).
Well most of us aren’t under 30 so what then? If you intend to see more than three productions in a season (there are six productions per year) a subscription is a decent option. It’s not the absolutely cheapest route but the savings are pretty good. There are two basic options. There are season subscriptions which save up to about 30% (the more expensive the seats the smaller the discount) compared to single ticket prices plus you can pick your dates and you get the best seats in each section. You could be paying less than half what the person in the row in front of you paid! Select subscriptions for all six productions run from $202 in Ring 5 Middle to $2116 in the Grand Ring. Various options are available such as “opening nights”, “weekend matinees” and so on. There are also deals for three or four performance packages which might work for some people though they are more expensive on a per performance basis. In almost all cases tickets are somewhat cheaper if you are over 65 or under 30 and a lot cheaper for under 15s.
So, you don’t want to commit to tickets a year in advance or you only go to the occasional show or you really want the cheapest possible deal, what then? There are usually offers on if you keep your eyes open or subscribe to the COC’s eOpera newsletter. It’s also good to know a subscriber or two. Season subscribers can get extra tickets at the premium subscription price. Previous year offers have varied but there’s always something. Knowing someone who works for the COC is also pretty handy (I didn’t tell you that!).
The really cheap route though, as with opera houses around the world, is the “day of” route. Unsold seats have no value so they have strategies to shift them. Generally unsold seats are put on sale at half price, box office only, at 11am on the day of performance. They usually also release blocks of very cheap seats at the same time. There is every chance of securing a seat for $35 or so though it likely won’t be a terrific seat. There are also 60 standing room places; mostly at the back of Ring 4 but some at the back of Ring 3. These sell for a princely $12. The view from the Ring 3 ones is excellent but they tend to sell out really fast. They do make you sign a declaration that you won’t take an empty seat even if one is available but the ushers at the Four Seasons Centre are mostly friendly folk and may well accommodate you if possible. A seat in Ring 3 for $12 is the bargain of bargains.
So, bottom line, attending COC performances doesn’t have to be expensive. If you are cunning and don’t mind standing or sitting in the nosebleeds it can be cheaper than a ticket for a Met HD broadcast and the product is vastly superior.
All information here updated to reflect the announced 2022/23 season.
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Actually there are some bad seats. They are located in the third row of the boxes. The orchestra seats under the tiers are restricted view. But overall the house is great. And the acoustics are excellent.
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Great article! The $12 standing spots are a steal. You see everything. There are 60 in total. 30 spots on Ring 3 and 30 on Ring 4. Some may be removed if there is a wheelchair patron. I’ve tested the spots out and I find that at my height of 5’8″, the 5 stand spots furthest to the left and furthest to the right of Ring 3 are Surtitle obstructed by the overhang. Everything on Ring 4 is fine.
I’ve seen Eugene Onegin, Hadrian, Elektra, and Othello last year (2018/19). None were sold out and still had plenty of standing spots. So chances are you could get a standing spot without having to go to the box office during the day.
Never hurts to ask what the rush seats are selling for, especially for the less popular shows. I once sat Orchestra Ring (with full view of Surtitles) for $29! The girl said they were trying to “fill up the orchestra”.