Summer and Smoke and synchronicity

On one level Tennessee Williams’ Summer and Smoke seems like just another Southern Gothic tale of repressed small town folk with southern accents shouting at other members of their thoroughly dysfunctional families.  There’s plenty of that of course but there’s also a fascinating analysis of how relationships can be made or broken according to, essentially, how individual life arcs align.  This aspect is very clearly brought out in Paolo Santalucia’s production that opened at Crow’s Theatre on Wednesday evening.

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Deception and delusion in the Copperbelt

Natasha Mumba’s play Copperbelt which had its premiere at Soulpepper on Tuesday evening is a very interesting work.  On one level it’s a tight, well crafted drama in the “dysfunctional family” genre so beloved by playwrights.  Intergenerational and gender role conflicts abound.  But beneath that there’s something much more interesting.

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GentleFreak’s Slaying My Demon Lover

I’ve been complaining fior ages that the sort of curated artsong concert by young singers disappeared with COVID.  Monday night gave me cause for hope.  The first concert in Tapestry Opera’s Free Underground Concert series was given on Monday evening by a new initiative called GentleFreak.  It’s led by Danika Lorèn who has form in this area.

Slaying My Demon Lover is a concept by Daevyd Pepper and consists of readings and music around the idea of loss or break up (romantic or otherwise).  Monday’s show was a cut down version of the whole thing which can be seen on the evening of the 15th at Arrayspace (tickets here).  It’s very varied with some very lyrical pieces like Hahn’s L’heure exquise (sung beautifully by Queen Hezumuryango) and much mor abrasive material like Weill’s Je ne t’aime pas (sung forcefully by Reilly Nelson).  There was musical theatre material on the same theme; for example Sondheim’s Losing My Mind (Danika) and some weirder or more playful numbers like George Aperghis Récitation 14 (Danika) and Vernon/Ivor’s 715 CRΣΣKS sung into the piano by Daevyd.  Accompaniment throughout was by Claire Harris on piano.  Bottom line it all worked and came together to make a most satisfying and very welcome show.

Tapestry’s Free Underground Concerts programme runs on selected Monday evenings from 6pm to 7pm at the Nancy and Ed Jackman Performance Centre.  Next up on the 23rd is a preview concert of Kevin Wong’s new musical In Real Life.

Witch! What? Why?

In 1621 one Elizabeth Sawyer, inevitably a poor, old woman, was hanged as a witch in London.  A play, The Witch of Edmonton, loosely based on the trial and events leading up to it, hit the boards shortly after.  It was a popular success.  Now Jen Silverman has taken the framework of that Jacobean tragicomedy and grafted onto it a critique of late stage capitalism.  The result is Witch, currently playing at Soulpepper in a production directed by Courtney Ch’ng Lancaster.

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Silver Thread at Met

Silver Thread are an a cappella vocal groiup (Rayna Crandlemire, Emily Parker,Ineza Mugisha, Sarah Mole,Anika Venkatesh, Nathan Gritter,JJoshua Sutherland, Kai Leungg and Martin Gomes) founded last year by young professional singers in Toronto.  This Thursday they opened a new year of the Noon at Met series of Thursday lunchtime concerts at Metropolitan United.

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It’s my decision

Erin Shields You, Always opened at the Berkeley Street Theatre on Wednesday night in a production directed by Andrea Donaldson.  It’s the story of the rlationship between two sisters.  The elder, Liz (Maev Beaty), is a high achiever; solid academics, law school, husband and two children.  The younger, Delia (Liisa Repo-Moretell), is a college dropout, singer songwriter and a vigorously promiscuous Lesbian (or maybe bisexual) even though there’s only one orgy in Brazil.  In spite of, or because of their differences they are very close.

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Toronto City Opera’s Macina Voice competition

Toronto City Opera’s third annual Macina Voice Competition is set for February 21, 2026 at Church of the Redeemer. The finalists are:

  • Camila Montefusco – Mezzo-Soprano
  • George Theodorakopoulos – Baritone
  • Hillary Tufford – Mezzo-Soprano
  • Jaclyn Grossman – Soprano
  • Jamal Al Titi – Baritone
  • Marion Germain – Soprano
  • Nicholas Kluftinger – Tenor
  • Olivia LaPointe – Soprano

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