Rohinton Mistry’s novel A Fine Balance is a complex, six hundred page long saga about events during the 1975-77 State of Emergency in India. Turning it into a coherent, stageable play is a considerable feat and Anosh Irani has managed that; even if the result is a long evening at the theatre. It’s actually pretty clever. Besides the ruthless elimination of minor characters and sub-plots he handles the principal characters’ back stories by dropping in bits of information all through the narrative that allow the audience to fill in details that are otherwise not made explicit. It’s efficient and effective.
So the story is condensed down to Dina (Zorana Sadiq), a widow, trying to get by by starting a garment sub-contracting business. She hires two tailors; Ishvar (Anand Rajaram) and his nephew Om (Ben Yoganathan), and they together with her PG, Maneck (Siddharth Sharma); the student son of an old friend, carry the plot supported by Husein Mdhavji and Sugoth Varughese playing multiple roles. It’s only as the play proceeds that we learn that Dina is Parsi and the tailors are Scheduled Caste/Dalit. Which is pretty important. There are all sorts of nuances of caste and creed at play here.
Continue reading


Music – concerts and opera



I don’t often listen to CDs released on Australian jazz labels but I did come across tripudiis sonis variis from the Melbourne trio Hyperbaroq and was quite intrigued. It’s a set of performances of, mainly, Italian baroque music. Composers such as Monteverdi, Scarlatti and Strozzi feature but there are also a couple of earlier pieces in Latin and Galician and two English songs; one by Henry Purcell and a Robert Johnson setting of Ben Jonson.