Things are starting to liven up again in the Toronto scene. Here’s a look ahead to the balance of September and the first half of October. This week sees a performance of Weill’s Little Mahagonny by VOICEBOX at Gallery 345. That’s on Tuesday 25th at 7.30pm and will be followed by a wine and cheese reception. Tickets are available at Eventbrite.
The COC season opens on the 30th with Tchaikovsky’s Eugene Onegin featuring Gordon Bintner, Joseph Kaiser and Joyce El-Khoury. There are eight performances ending on 3rd Novemeber. The companion work is the premier run of Rufus Wainwright’s Hadrian which opens on October 13th. It’s a starry cast including Thomas Hampson and Karita Matilla. There are seven performances ending October 27th.
It’s September and the long, slow awakening after the annual aestivation begins. There’s not a lot on yet but what there is is interesting. The middle of the month sees Native Earth’s production of I Call myself Princess at the Aki Studio; previews from 9th to 12th September with official opening on the 13th and then shows until the end of the month. My interview with playwright Jani Lauzon is here. Also opening on the 13th is Tapestry Briefs at the Ernest Balmer Studio. Hear the product of the LibLab, hear Stephanie Tritchew, Teiya Kasahara, Peter McGillivray and Keith Klassen and eat tapas. It runs until the 16th.
Donizetti’s Anna Bolena, in a production by Stephen Lawless, opened last night at the COC. Bel canto fans, canary fanciers and, just maybe, the rest of us should rush and see it. The singing is extraordinary. The cast is led by Sondra Radvanovsky in the title role and she gives, pretty much, a masterclass in bel canto technique. The control is extraordinary with gleaming top notes, exquisitely floated pianissimo, genuine trills and real emotion. Only a slight raspiness occasionally evident in the recits even hinted that this was a singer who was too sick to perform only a few days ago. Where to go next among some very fine performances? Bruce Sledge as Percy I think. This was thrilling tenor singing with passion, ringing high notes and wonderful musicality.
The COC’s revival of Robert Lepage’s 2009 production of Stravinsky’s The Nightingale and Other Short Fables, revived by Marilyn Gronsdal, is a delightful mix of witty and clever stagecraft coupled with some fine music making. It’s very much a work of two contrasting halves. The first is a carefully constructed program of shorter Stravinsky vocal and instrumental works; all from the period 1911-1919 and all with a sound world reminiscent of The Firebird or Petrouchka rather than The Rite of Spring or the Dumbarton Oaks Concerto. The full line up was:
For the last few years the COC has had a fairly glitzy evening at which the next season is announced and there are interviews, a few performances etc. This year, for whatever reason, the two elements were divorced. The season was announced in a press release win January with no fanfare; not even a press conference. The glitzy bit happened last night with a cocktail reception and a stage event hosted by Brent Bambury.
April is a busy month for fully staged opera. Canadian Opera opens two productions and there are shows from Opera Atelier, Against the Grain and Essential Opera. First up is the COC’s revival of Robert Lepage’s production of Stravinsky’s The Nightingale and Other Short Fables. This opens on April 13th and runs to May 13th. In 2009 it sold out so this time there are nine performances. Also at the COC there’s Donizetti’s Anna Bolena completing the Tudor trilogy. It opens on April 28th with nine performances closing May 26th.
Not much sign of spring as we move into the second half of the month but there are some things musical to enjoy while we await the return of the sun. On March 18th at 2pm in Mazzoleni Hall there is You’re Welcome Rossini with the glamorous duo of Allyson McHardy and, the not seen often enough in Toronto, Lucia Cesaroni. This one is officially sold out but there may be rushes. Ten bucks says they do the Cat duet. Continue reading →