My review of the COC’s revival of Richard Strauss’ Salome is now up at Bachtrack.

Photo: Michael Cooper
My review of the COC’s revival of Richard Strauss’ Salome is now up at Bachtrack.
Photo: Michael Cooper
My review of the opening night of the COC’s production of Mozart’s The Magic Flute is now live on Bachtrack.
Ilker Arcayürek (Tamino) and Anna-Sophie Neher (Pamina) – Photo: Michael Cooper
My review of Saturday’s opening night performance of La Traviata at the COC is now up at Bachtrack.
Photo credit: Michael Cooper
My review of the first performance by the alternate cast of the COC’s current La Bohème is up on Bachtrack.
My review is up on Bachtrack.
If anybody is wondering why I haven’t yet posted a review of the Rigoletto that opened at the COC on Saturday it’s because, for the first time, I was reviewing for Bachtrack; a London based classical music site. The teaser is:
Christopher Alden’s production of Verdi’s Rigoletto returned to Toronto tighter, more focussed and with fewer dramatic incongruities. Add to this that every aspect of the music making was top notch and it made for a fine evening at the theatre.
The full review can be found here.
Photo credit: Michael Cooper