James Coole-Stevenson and Vlad Soloviev

Thursday Noon at Met recital was given by baritone James Coole-Stevenson accompanied by Vlad Soloviev. The first part of the recital was all Canadian art song. Jocelyn Mortlock’s Involuntary Love Songs; which are varied in mood and quite lyrical, Ian Cusson’s “You Held Out the Light” from Breakfast for Barbarians which is short and very Ian Cusson., with a shimmering piano part and finally James Rolfe’s Moths. This is a very complex cycle about light and dreaming and very varied from the boomy “night is a river” to the delicate “The river of dreams” and much more. It was all sung with great attention to text backed up by impeccable diction and sharp characterisation. As is usually the case with contemporary song the pianist has a lot to do and Vlad did it really well. It’s good to see someone programme so much contemporary Canadian song.

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A most unusual recital

Thursday lunchtime at Metropolitan United was, I think, the first time I’ve attended a recital of music for soprano and clarinet.  The performers were soprano Noelle Slaney and clarinettist Matheus Coelho.  Most of the music was performed “as written” with a few pieces rearranged by Noelle.

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Fauré Requiem at Metropolitan United

Last Thursday lunchtime’s Noon at Met concert was given by the UoT’s Schola Cantorum conducted by Daniel Taylor with Jonathan Oldengarm at Met’s very impressive organ. The music was Fauré’s rather unusual Requiem op.45.  I say unusual because it’s much more gentle and lyrical  than most, not least because there’s no Dies Irae.  That’s cut except for the Pie Jesu section.  Also it finishes with the hopeful In Paradisum from the Burial Service.  Apparently this is because Fauré was most definitely not an orthodox Catholic rather lying somewhere on a spectrum from theist to agnostic but obviously still aware that we all die and we all grieve.

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