The COC/AtG film of Mozart’s Requiem is now available for viewing. It’s free but requires either registration with AtG or a (free) COC digital membership. Directed by Joel Ivany, it’s essentially cast as a reflection on what we lost during the pandemic and as a statement of hope as, maybe, we reach the end.
As the rest of the world moves to live in-person performance Toronto is still mostly stuck in Covidland. My calendar for the month currently has two in-person shows (both courtesy of the RCM) and three streams. So:
November 6th at 7.30pm in Mazzoleni Hall. The GGS Opera programme is presenting Ana Sokolovic’s Svadba. It seems hard to believe that the premiere was over ten years ago!
November 27th at 8pm in Koerner Hall. Stewart Goodyear, soloists, the Penderecki Quartet and the Toronto Mendelssohn Choir present the premiere of Goodyear’s Piano Quintet plus Beethoven’s 9th symphony in piano reduction. This one is also livestreamed.
And so to streams:
November 19th at 8pm. Soundstreams presents Love Songs; a 45 minute programme of music by Claude Vivier and Christopher Mayo. (ticketed)
November 25th at 7.30 pm (and the following three days). UoT Opera is performing Rossini’s The Barber of Seville. (free)
November 26th at 7.30pm. The COC and Against the Grain are collaborating on a staged Mozart Requiem. (free)
Against the Grain Theatre have released a location shot film of Holst’s Sāvitri on Youtube. It’s a very beautiful film with some fine music making but I really wonder why anyone would choose to lavish their talents on this particular opera.
Here’s a round up of the latest on-line material to come my way:
From the Kingston Symphony, Opera 5 and all things Krehm/Mitchell plus assorted animated animals… the concluding episodes of Harmon in Space (available now) and a new project, premiering April 7th; Threepenny Submarine featuring puppets from Gazelle Automation, sopranos Rachel Krehm and Caitlin Wood and a chamber ensemble led by Evan Mitchell.
From Against the Grain… a continuation of the run of Messiah/Complex and a live chat “Making of” at 7pm tonight.
From Soundstreams… Electric Messiah is available again until April 11th.
From Calgary Opera… Opera Labs, a series devoted to innovation in opera. The first film is about Namwayut; a collaborative composition featuring, among others, Marion Newman, Yvette Nolan, Ian Cusson and Asitha Tennekoon.
Everything is on Youtube except the Calgary project.
This will be a bit of an “odds and sods” round up. First off, check out Natalya Gennadi and Catherine Carew’s latest offering on Natalya’s Youtube channel. The music is very good but the animated effects are amazing. Over at Against the Grain you can see Joel Ivany interviewing HE Adrienne Clarkson who is always interesting to talk to.
There are three new Youtube videos that aren’t performances but may be of interest. On the Confluence Concerts channel there’s the John Beckwith Songbook Lecture. I was expecting the usual sort of pre-show thing ahead of this weekend’s concert but it wasn’t that at all. What we get is Bradley Christensen explaining his doctoral thesis research on developing an interpretive and pedagogical guide to Beckwith’s songs. One might expect this to be rather dry and in a way it is but dry like a certain kind of British (or I guess Kiwi) humour. It’s a sort of “Note the sheep do not so much fly as plummet” performance. No sheep though. One would have thought a Kiwi could have fixed that. I shouldn’t joke really. It’s a perfectly serious and valuable project but the deadpan delivery is curiously compelling.
This Saturday the new recording of Rocking Horse Winner will be broadcast on Ben Heppner’s Saturday Afternoon at the Opera following the live broadcast from the Met. That’s on CBC of course.
And on December 29th Margaret Atwood will be talking about AtG’s Messiah/Complex when she guest hosts BBC Radio 4’s The Today Programme. Unfortunately, as I understand it, that show runs from 0600-0900 GMT so it’s strictly for the nocturnal types in Canada.
Against the Grain’s Messiah/Complex is a rewarding, actually quite fascinating, piece of work. It’s condensed to around 80 minutes but most of the well known numbers feature in some form. Each takes the form of a filmed vignette filmed somewhere in Canada. Some locations are urban, some are very much not; from David Pecaut Square to the high Arctic. Twelve soloists and a number of different choirs are used. Some pieces are sung in the original English but five other languages are also used. The non-English pieces are not translations in fact they subvert Charles Jennens’ theology in some really interesting ways. The TSO (or at least a bit of it) conducted by Johannes Debus provides the accompaniment. The performances are good, the filming is excellent and the technical quality is first rate. You can watch it for yourself at this link.
My sense of time, or rather lack of one, has made these “upcoming” posts a bit irregular. So anyway these are things I haven’t mentioned so far.
Tonight at 7pm on Youtube, Confluence Concerts present the Hutcheons with a talk on Creativity and Aging based on their book Four Last Songs. I’ve read the book and had (used to have) some of the best conversations with Doctors Linda and Michael so this should be good. Musical excerpts from Messiaen and Leonard Cohen will be performed by Larry Beckwith, Robert Kortgaard and Patricia O’Callaghan. Free.
Wednesday at 8pm on Youtube it’s Tapestry with SOS – Sketch Opera Singers episode 1. Singing peas on a dinner plate. The inner thoughts of evil babies. An attention-starved man who bursts into dramatic song whenever he steps into a light. Check out the teaser that’s already up on Youtube. Also free.
Saturday at 7pm is Opera Atelier’s Something Rich and Strange which is a baroque pasticcio. It’s streamed via the Koerner Hall streaming site and tickets are $25. Check out OA’s website for details.
December 13th at 8pm is Against the Grain’s multicultural Messiah/Complex. Free but registration required.
December 17th at 8pm is Soundstreams’ Electric Messiah.. This is the latest iteration of what has become an annual event but reenvisaged for the web. I was on a Zoom call last Monday with the director and music director. Sounds like it should be good. Also free but registration required.
The usual suspects (check earlier posts for recommendations) are still also mostly producing new content.