Yesterday I received seven assorted emails about cancellations in Toronto plus news from the Metropolitan Opera. Essentially all the major orchestras and music theatre organisations in Toronto are shuttered until at least the end of the month. Events are also being called off elsewhere so check your location situation. Here’s a quick run down:
The Four Seasons Centre is closed until the end of the first week of April. So, the ballet is off, as is the free concert series. The COC is still planning to run its spring season but we’ll see.
Tafelmusik and the TSO have cancelled performances until the end of the month.
After tomorrow the UoT and the Conservatory are cancelling public events until the end of the month.
Tapestry Songbook on March 21st is sort of cancelled. There will be no live audience but the show will be live streamed at 8pm and the performers are being paid. Go Tapestry!
Amici Chamber Ensemble’s show on the 29th is off.
The Metropolitan Opera is closed so no Live in HD but they are doing free nightly web casts of the HD back catalogue. Details here.
Jonathan Dove’s Mansfield Park opened last night at UoT Opera in a production by Tim Albery. It’s a really interesting show that builds up in “layers” to a very satisfying whole. The Austen novel, of course, is very self consciously a novel. There’s no pretence at “immersion”. The author is both telling the story and commenting on it for the benefit of you, the reader. Librettist Alasdair Middleton both builds on this and does a quite brilliant job of compression to bring in a condensed, and only slightly simplified, version of the story in under two hours.
March is looking a bit thin right now. Both UoT Opera and the Glenn Gould School have shows though. From the 12th to the 15th in the MacMilan Theatre (7.30pm, Sunday 2.30pm) the university is doing Jonathan Dove’s Mansfield Park in a production by Tim Albery. I’m not familiar with this work but generally I’ve been very impressed with Dove’s vocal music. Casting etc is here. On the 18th and 20th the GGS is putting on Ravel’s L’heure espagnole and Puccini’s Suor Angelica which is certainly an unusual pairing. The double bill plays at Koerner Hall at 7.30pm. Casting and creative team details are here. UoT also have a show on the 27th at 5pm in Walter Hall called Parlami d’Amore. In non university gigs, Tapestry Songbook X is at the Ernest Balmer Studio on the 20th at 8pm.
In free events there are a couple of noon hour concerts in the RBA. On the 17th the Ensemble Studio have a March Break “Opera for All Ages” concert and on the 31st transgender soprano Brianna Sinclair is appearing. And of course there’s Opera Pub in its usual time and place on the 5th.
UoT Opera’s fall production is Mozart’s The Marriage of Figaro which opened last night at the MacMillan Theatre. It’s a period production directed by Michael Patrick Albano set in the “Opera 18th Century”; more Chatsworth than palace near Seville, but it looks pretty, the action is skilfully composed and the physical comedy works.
On the 14th at 1.30pm in Walter Hall Jane Archibald and Liz Upchurch are giving a recital under the auspices of the Women’s Musical Club of Toronto (so this isn’t a free concert). The 15th sees the opening of a run of a “play with music” from Theatre Gargantua called The Wager which will run at Theatre Passe Muraille from the 14th (preview) to the 30th. It promises to be a “bold and irreverent investigation into the strange things that people believe”. It’s written by Michael Spence and directed by Jacquie PA Thomas and the cast includes Teiya Kasahara.
The students of the post graduate program at UoT Opera were on show in the RBA yesterday with a show made up of staged opera excerpts curated and directed by Michael Patrick Albano. It’s right at the beginning of the academic year and these sorts of concerts are a bit of a calibration exercise for those of us who follow the progress of young singers. The starting point this year is decidedly high.
This summer Against the Grain Theatre and UoT Opera have been collaborating on an Intensive focussed on modern opera. Last night saw the culminating show; This is Prophetic, featuring staged scenes from twelve post 1950 operas. Since there were one tenor, one baritone and nineteen assorted sopranos and mezzos selecting the scenes must have been quite a challenge. Unsurprisingly perhaps there was nothing from Billy Budd.