Something to Crow about

crowSeason announcements for theatre companies for 2024/25 are coming out fast and one notable thing is that a number of shows from Crow’s Theatre have been picked up by other companies.  Both Pierre, Natasha and the Great Comet of 1812 and Fifteen Dogs have been picked up by Mirvish (as Uncle Vanya was this season).  Soulpepper have picked up The Master Plan which will also be seen in Hamilton.  I’ve linked to my reviews which are enthusiastic about all except Pierre, Natasha.  That was a huge hit, especially with people who like Broadway musicals more than I do and, as the prologue warns, it wasn’t written for opera fans who have read War and Peace three times so my views should be viewed through that lens.

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May listings

may24It’s coming towards the end of the traditional “season” but there’s sill plenty happening.  Here’s how I see may shaping up at present (I expect more theatre listings will come in.  They tend to be somewhat less notice!):

  • May 1st and 2nd:  The TSO are coupling Brahms’ First Symphony with Emily D’Angelo and material from her enargeia CD.
  • Also on May 2nd the Women’s Musical Club are hosting Joyce El-Khoury in recital at Walter Hall.

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Walt vs. the lemmings

A Public Reading of an Unproduced Screenplay About the Death of Walt Disney by Lucas Hnath opened last night at the Young Centre in a production by Outside the March and Soulpepper.  It’s one of those pieces that is perhaps easier to admire than enjoy.  Technically, everything about it is excellent but sitting through ninety minutes of egotistical bullying is not a whole lot of fun.

Death of Walt Disney 2. Katherine Cullen, Diego Matamoros, Tony Ofori and Anand Rajaram. Lighting by Nick Blais. Set by Anahita Dehbonehie. Costumes by Niloufar Ziaee. Photo credit Dahlia Katz

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Looking ahead to March

march2024First some additional February shows

  • On the 23rd at Harbourfront Centre Art of Time Ensemble are presenting Music from the Weimar Republic.
  • On the 25th VOICEBOX have a concert performance of Verdi’s Ernani at the St. Lawrence Centre.

Opera

  • Opera York are presenting Verdi’s Rigoletto at the Richmond Hill Centre for the Performing Arts on March 1st and 3rd.
  • March 14th to 17th UoT Opera are doing Massenet’s Cendrillon at a to be determined location.
  • March 20th and 22nd at Koerner Hall, the Glenn Gould School spring opera is Poulenc’s Dialogues of the Carmelites.  That one has me excited!

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De Profundis

De Profundis: Oscar Wilde in Jail is an adaptation by Gregory Prest of the famous letter that Wilde wrote, page by page, to Lord Alfred Douglas while he was in prison.  It opened; a world premiere, last night in a Soulpepper production directed by Prest at the Young Centre.

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February 2024 – mostly theatre

feb2024theatreHere’s a round up of February shows not previously mentioned; mostly straight theatre.

  • Factory Theatre has two shows.  Rockabye by Joanna Murray-Smith deals with the travails of a female rock star who must reinvent herself before age pushes her onto the casino circuit.  That’s on the Main Stage from January 26th to February 11th.  Then on the 23rd and 24th illusionist Nick Wallace has a one man show in the Studio Theatre.

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WILDWOMAN

WILDWOMAN, by Kat Sadler (who also directed), is part of the {{her words}} festival at Soulpepper and I attended the first preview performance on Thursday night at the Young Centre. It’s not usual to review previews but I’m out of the country for most of the run proper so there it is.   It’s an interesting piece.  It weaves together two (more or less) real stories that are quite tenuously related into a single integrated narrative that explores humanity, power and the role of women in society.

SPWildwoman-photobyDahliaKatz-75

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Additional September and October gigs

leavesHere are a few shows that didn’t make it into earlier listing posts:

  • Opera 101 at the Redwood Theatre at 4pm on September 23rd and October 7th is a free recital programme organised by Alexander Hajek.
  • There are a couple of highly experimental audience participation shows at the Theatre Centre.  In asses.masses the audience creates a video game based on the story of a herd of unemployed asses.  In work.txt which runs September 27th to 29th the audience “designs a welcoming space for collectively processing “working” in capitalist metropolitan cities”.  I’m going to the latter.  I don’t think I’ve been in/at a show of this kind since I was an undergrad.

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Best of 2021

1.boulotte sm2021 was another year of parts.  Pretty much no live indoor performances before September then a few chances to get to the theatre and now, well who knows?  So what stood out for me in 2021?  Here’s a round up by category.

Live Shows

Not much of course but there were some good shows, though opera didn’t really figure.  The Home Project from Native Earth and Soulpepper was a thought provoking look at the the idea of “home”.  MixTape at Crow’s Theatre explored the variegated nature of relationships through the medium of the once ubiquitous mix tape.  And on a more conventional note there was a rearranged at short notice recital at Koerner hall that showcased the extremely talented Davóne Tines. Continue reading

The Home Project

What is home?  Where is home?  The Home Project; a joint production of Native Earth Performing Arts and the Howland Company presented by Soulpepper, addresses these questions through three actors personal visions reflecting, in their own way, three aspects of the Canadian experience.  The stories are interwoven on a simple set of moving boxes and a few pieces of furniture.  The sound stage is more important than the physical stage and aural effects; well handled considering we are outside and there’s plenty of background noise, are crucial.

HomeProject-QasimKhan-CheyenneScott-AkosuaAmoAdem-photobyDahliaKatz-1038x576

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