Yesterday afternoon I attended the latest concert in the extremely well curated Mazzoleni Songmasters series at the Royal Conservatory of Music. This one featured soprano Joyce El Khoury and mezzo Beste Kalender in a program of French songs influenced by orientalism with some genuine Lebanese and Turkish songs thrown in for fun. Rachel Andrist and Robert Kortgaard were at the piano and, besides accompanying, gave us a couple of short pieces for four hands.
The concluding concert of this year’s International Centre for Performing Artists Singing Stars program for this year took place last night at 96.3FM. For the eleven singers it was the culmination of a day working with Adrianne Pieczonka and a lot of practice and I think that came through on the night. In the various interviews during the show (it was being broadcast live), many of the singers remarked on Adrianne’s advice to be an artist, not just a singer (or something to that effect). Certainly I felt there was less strictly correct singing and more effort to get inside the music and words than one often hears in competitions.
Today’s Mazzoleni Songmasters concert featured Lucia Cesaroni and Alysson McHardy with Rachel Andrist at the piano and Iain Scott narrating in a program that wasn’t, as expected, all Rossini. Rather it was music written by and for six of the women in Rossini’s life in a program inspired by Patricia Morehead. So what we got was plenty of Rossini, some Bellini, some Clara Schumann and music composed by the ladies themselves. I’m moderately familiar with the music of Pauline Viardot (younger sister of Maria Malibran) but I had never heard anything composed by Malibran, Isabella Colbran, Pauline Sabatier, Giuditta Pasta or Adelina Patti. As it turns out all were perfectly competent song composers and it was good to hear some rather rare material.
Yesterday’s lunchtime recital in the RBA featured Claire de Sévigné and Rachel Andrist with Huw Montague Rendall chipping in with readings. The theme, naturally enough, was Love. It was a carefully curated program taking us through Passion, The Bond, Pain, Memory and, finally, The Truth. Along the way we got Poulenc, Fauré and Debussy; Wolf and Liszt; Schubert and Schumann; even some Strauss and Weill before The Truth was revealed in English language texts set by Hughes, Previn, Copland and Bridge. Make of that last what you will.
Here is what’s coming up. Valentine’s day sees two vocal recitals. At noon in the RBA there’s Clare de Sévigné and Rachel Andrist with The Truth about Love; the story of a young woman’s love gone awry. At 8pm Ian Bostridge has an all Schubert program at Koerner Hall. Thursday is also busy with members of the Ensemble Studio in a Russian program in the RBA at noon, a Johannes Debus masterclass at UoT at 2pm and Opera Trivia at the Four Seasons Centre at 7pm. Then on Friday at 7.30pm in Walter Hall there’s a free concert; Vocalini, from the undergrads of the UoT Opera. Also Thursday and Friday MYOpera have a couple of opportunities to see emerging artists. There’s a public masterclass with Philip Morehead at 6pm Thursday at the Edward Jackman Centre and a concert at 7.30pm Friday at the Vandenberg House.
It’s that mid point of the academic year when the GGS puts on a recital programme that features a fairly full selection of the available singing talent at the Conservatory. This means one sees everything from first year undergrads to singers in the final stages of a master’s degree, who may already be singing professionally, so it’s a constant exercise in recalibration. It wasn’t helped last night by the fact that I had serious TTC problems causing me to miss the first three numbers on the programme plus feeling a bit frazzled for the rest. So, in no particular order, I’m going to write about what I particularly enjoyed. Omission should not be over-interpreted.
I was at a really rather nicely programmed recital at Rosedale Presbyterian yesterday afternoon. Rachel Andrist, who played piano throughout, had lined up a really interesting selection of singers. Some were known to me, some were new. Some were fresh out of college and some had quite a bit of experience. The programme was in two halves. In the first half each of the six singers got to do two or three songs while in part two there were some opera numbers and some seasonal stuff arranged for various combinations of voices.