Last evening I attended a session with Barbara Hannigan under the auspices of the IRCPA. The format was an interview with William Littler followed by audience Q & A. In many ways it was typical Hannigan. She came across as smart, incredibly driven, analytical and with quite a wicked sense of humour. This I have seen before and there wasn’t much about her work methods that added to the information in I’m a Creative Animal.
The concluding concert of this year’s International Centre for Performing Artists Singing Stars program for this year took place last night at 96.3FM. For the eleven singers it was the culmination of a day working with Adrianne Pieczonka and a lot of practice and I think that came through on the night. In the various interviews during the show (it was being broadcast live), many of the singers remarked on Adrianne’s advice to be an artist, not just a singer (or something to that effect). Certainly I felt there was less strictly correct singing and more effort to get inside the music and words than one often hears in competitions.
The line ups for both the COC’s Centre Stage competition and the IRCPA’s Ten Singing Stars: The Next Generation have been announced. The former, besides cash prizes, is also the principal route into the COC’s Ensemble Studio program. The latter gets the winner an IRCPA Career Blueprint which includes three days at the National Opera Center in New York, new photographs, video and audio recordings, website consultation and mentoring with professionals.
At Centre Stage at the Four Seasons Centre on November 1st you can see:
- Tenor Matthew Cairns of St. Catharines, ON
- Soprano Vanessa Croome of Nanaimo, BC
- Bass-baritone Aaron Dimoff of Owen Sound, ON
- Bass-baritone Vartan Gabrielian of Toronto, ON
- Tenor Rocco Rupolo of Toronto, ON
- Mezzo-soprano Jamie Groote of Oakville, ON
- Soprano Andrea Lett of Humboldt, SK
- Soprano Noelle Slaney of Gander, NL
This is a gala starting with a reception at 5.30 pm. Tickets at coc.ca.
The IRCPA concert is on November 5th at 7.15pm at Zoomer Hall. Tickets at http://ircpa.net. The line up is:
Sopranos: Tonia Cianciulli, Jocelyn Fralick, Beth Hagerman, Teiya Kasahara, Kathleen Promane, Sara Schabas, Gwenna Fairchild-Taylor
Mezzo-soprano: Georgia Burashko
Tenors: Zachary Rioux, John-Michael Scapin
Last night saw the culminating concert of the IRCPA’s Encounter program. It wasn’t exactly a competition as the winner of the Career Blueprint Award had already been decided but not announced. Still, it had the air of a competition with ten singers each offering an aria accompanied by the ubiquitous Rachel Andrist. It was also being broadcast live on 96.3FM so we got the full on Zoomerplex treatment which is not far short of having flashing signs that say “Applaud Now!!” It’s the price one pays for getting young singers media exposure I guess.
As previously noted the International Resource Centre for Performing Artists is once again running its program for young professional singers in Toronto. The program is in two parts. There was an “Encounter” (career workshop) with Brett Polegato on October 20th and there will be a concert at 7pm on November 6th at the Zoomerplex which will be broadcast by Classical 96.3. Yesterday I spent some time talking with Brett about the program, its rewards and challenges and, inevitably, we drifted off into some broader issues about careers in the opera world.
The International Resource Centre for Performing Artists is running its Encounter program again this year. 10 young singers will get an all day career workshop with Brett Polegato on October 20th and there will be a concert on November 6th at Zoomer Hall (Liberty Village) at 7.30pm with Rachel Andrist accompanying. One singer will be selected by Brett to receive a Career Blueprint Award.
Information on how to participate, how to sponsor a singer and tickets for the concert is available at www.ircpa.net
Last night ten singers who had taken part in an intensive class/coaching with Sondra Radvanovsky showed us what they could do. The program was organised and presented by the International Resource Centre for Performing Artists at the Alliance Française. It says quite a lot about the current state of supply and demand in the opera world that nine of the ten singers were female and seven were sopranos. We were given one aria per singer and a lot, inevitably I suppose, of Donizetti, Bellini and Rossini with one aria apiece for Verdi and Puccini.