Dominick Argento’s 1971 work Postcard from Morocco is unusual. It’s opera meets Ionesco meets acid rock. It’s a weird and wonderful kaleidoscope of scenes and music “about” a group of characters who seem to have nothing in common except that they have showed up at a railway station in Morocco c. 1914. Michael Cavanagh’s production for UoT Opera plays it straight veering to OTT which seems about right. This piece doesn’t need directorial “interpretation” but it does need careful organisation and lots of energy. Cavanagh’s approach provided plenty of both.
Last Days is a staging of songs and texts from and about WW1. It’s directed by Tim Albery with music direction by David Fallis and it’s performed by students from the University of Toronto Opera Program. Continue reading
Today’s free concert in the Richard Bradshaw Amphitheatre was given by the University of Toronto’s Opera Program. It was a semi staged assortment of songs and excerpts from operas, operettas and musicals based on the works of Shakespeare with a distinct leaning to the operetta/musical theatre side of things. That’s understandable enough with young singers but it does make the game we all play (at least I do) of trying to guess who the next Jonas Kaufmann or Anna Netrebko is that much harder. Not that I’m very good at it. I’m far more able to predict what a newly bottled Bordeaux will taste like in ten years time than whether the young soprano I’m listening to might go on to sing Siegfried or Turandot at the Met!