Beethoven and Shostakovich

Wednesday’s lunchtime concert at Heliconian Hall; part of Toronto Summer Music, featured two pieces of chamber music by Beethoven and Shostakovich. The first was the third movement of Beethoven’s String Quartet No. 15 in A minor, Op.132. It was played by Justin Saulnier, Ashley Tsai, Bill Ko and Claire Park. It’s an unusual movement, especially taken out of context. It intersperses intricate, very slow passages where phrases are passed between the players without too much in the way of obvious clues for where the music is going. It’s profound and quite ethereal. These sections arr interwoven with livelier sections where the “cues” are more obvious. I would think it’s difficult to get just right at the best of times and for what amounts to a “scratch” quartet to handle it as well as they did is admirable. It feels like the sort of music that one needs to play with the same colleagues for twenty years! Incidentally, the same team is playing all four movements of this work tomorrow at noon.

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Council

Once in a while it’s good to take a chance on a concert or play that’s outside one’s normal sort of thing. Sometimes that turns out really well. For example, I’m no great fan of musicals but I loved Tiger Bride at Soulpepper. So t was in that spirit that I went to see Council at Walter Hall on Monday evening.

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24 carat Golden Age

It’s not often that one attends a recital that is so stunning that one struggles to find words to describe it but The Golden Age recital given by soprano Erin Morley, tenor Lawrence Brownlee and pianist Malcolm Martineau at a packed Koerner Hall on Thursday evening, as part of Toronto Summer Music, was in that class. Most of the rep was drawn from the Golden Age album released last year with a few change ups. It’s basically all highly virtuosic material in the bel canto style (plus a couple of piano pieces).

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It’s all about the Fringe and TSM

July in Toronto is pretty much about the Fringe and TSM.

The Fringe runs June 30th to July 12th and there are 123 shows across 27 venues plus free events. Obviously for a critic that’s overwhelming. Right now I have ten shows booked, including anything that looks vaguely opera related. So:

  • Minimum at Factory Theatre… the Premier of Ontario living in Hamilton on minimum wage.
  • You Choose at Tarragon… an improvised murder mystery from the Howland company
  • God Save the Sodomites at Native Earth… is anyone in Sodom worth saving?
  • Sinner at Theatre Passe Muraille… breaking up with white Jesus
  • Songs for Moby Dick at Theatre Passe Muraille… operatic epic about a whale
  • Night Journey at the Arts and letter Club…studying The Odyssey
  • Brava at Soulpepper… Yannick Gosselin celebrates divas
  • Potato Potato Saves the World at Soulpepper… can a sketch comedy troupe save the world?
  • Ooga Chaka at Soulpepper… two prehistoric cave painters invent art
  • Catching a Cheese Pervert at Soulpepper… Canada’s most prominent anti-vegan influencer searches for the cheese pervert in her hometown
There’s tons more of course and I may add some shows based on word of mouth later but interests and logistics (no-one wants to do shows at Tarragon and Soulpepper on the same day!) came up with this as a starting point. Continue reading

Coming up in May 2026

Coming up… music etc

  • May 2nd.  The Artists’ Studio of the Canadian Children’s Opera Company are presenting Judith Weir’s The Black Spider.  It’a very rare chance to see a Judith Weir opera in Toronto.
  • There are two free shows on the 4th.  At noon Opera 5’s interns are performing in the RBA and in the evening it’s AtG’s Opera Pub at the Tranzac.
  • On the 5th there’s a sneak preview of Toronto Summer Music in the RBA at noon.
  • On the 6th Jane Archibald has a recital at Koerner Hall.

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Neujahrs in Vienna… in Toronto… in July

The last Koerner Hall concert of this year’s Toronto Summer Music riffed off the Vienna Phil’s traditional New Year extravaganza with lots of Johann Strauss waltzes and the cheesiest fake Magyar (mezzo) soprano arias from operetta.  I was skeptical when I first saw the programme but it turned out to be extremely enjoyable; partly on account of excellent musicianship and partly because everyone involved was having so much fun.

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The Last Castrato

The last great castrato, we are told, was Vellutti who was a favourite with many early 19th century composers.  Tuesday night’s concert at Koerner Hall as part of Toronto Summer Music was a tribute to him with counter-tenor Franco Fagioli accompanied by L’Orchestre de l’Opéra de Versailles and their flamboyant violinist/conductor Stefan Plewniak performing music associated with Vellutti interspersed with orchestral music from (mostly) the same operas.

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