There have been a series of interesting announcements about composers and commissions from the Canadian Opera Company recently. First is the announcement that Ian Cusson is to become composer-in-residence from August 2019. Cusson is part Métis and, readers may recall, featured as half of a memorable evening kicking off the new Confluence concert series in October. There’s an initial commission announced too. He will work with Colleen Murphy on a piece for “families and young people” that weaves elements of myth into a contemporary urban setting.
Soundstreams’ Electric Messiah is back for a fourth outing, again under the musical direction of Adam Scime. The formula is basically the same as previous years.
- Take excerpts from Handel’s Messiah
- Add some new music
- Arrange for small chamber ensemble, electronics and turntables (Sarah Svendsen, analog and electric harpsichord; Joel Schwartz, electric guitar; Jeff McLeod, electric organl; SlowPitchSound, turntablist)
- Take a quartet of singers from different vocal traditions (Jonathan MacArthur, Katherine Hill, Aviva Chernick and Alex Samaras)
- Throw in a dancer (Lybido)
- Have some of the text sung in a language relevant to the singer (Gaelic, Hebrew, Swedish this time)
- Stage it at Drake Underground
This year in addition there was some interpolated music not directly derived from Messiah; to whit, a gospel piece for Samaras called “Personal Jesus” and a harpsichord solo.
The Latvian Radio Choir tend to show up once a year as part of Soundstreams’ concert series. Last night was the first time I have managed to go. It was at Metropolitan United Church and I was up in the balcony. It’s an awesome view and the sound is great but it’s hot! I guess that’s where they put the sinners.
So one thing can be guaranteed in December; lots of Messiah. This year I have four on the radar. There’s the TSO of course. This year Johannes Debus conducts with soloists Claire de Sévigné, Allyson McHardy, Andrew Haji and Tyler Duncan. One might almost have expected the COC Chorus but actually it’s the Toronto Mendelssohn Choir in the loft. That one runs December 18th, 19th, 21st and 22nd at 8pm and the 23rd at 3pm. Roy Thomson Hall of course. Over at Tafelmusik, it’s Ivars Taurins with Sherezade Panthaki, Krisztina Szabó, Charles Daniels and Drew Santini plus, of course, the Tafelmusik Chamber Choir. That’s on December 18th, 19th, 20th and 21st at Koerner Hall at 7.30pm. The Sing-a-Long version is at Roy Thomson Hall at 2pm on the 22nd. There’s also a workshop on the 8th at 2pm at Eglinton St. George’s United Church.
So here we go with things to look out for in the second half of the month or so. On the 13th Stacie Dunlop and flautist Kelly Zimba are putting on a program of pieces by living American and Canadian composers, including premieres by Toronto composer David Jaeger and the duo HaRebraIN (Anh Phung/Alan Mackie) along with works by Leslie Uyeda, Braxton Blake, Kate Soper and James O’Callaghan. That’s at 8pm at Gallery 345.
From November 15th to December 2nd Red Snow Collective are presenting the world premiere of The Monkey Queen, written by Diana Tso, directed by William Yong, and performed by Diana Tso and Nick Eddie. The production weaves text, movement, visual art and music, and reimagines the ancient tale through the playwright’s own personal journey as a Chinese-Canadian female artist; a sort of Journey to the East if you will. It’s at the Theatre Centre Incubator at 7.30pm.
June is kind of quiet but first there’s yet another show to mention for the busy last weekend of May. David Fallis is conducting his last performances as Music Director of the Toronto Consort. It’s Monteverdi’s Orfeo and it’s at Trinity St. Pauls at 8pm on the 25th and 26th and 3.30pm on the 27th. Besides David it features Charles Daniels in the title role, Kevin Skelton as Apollo, Laura Pudwell as Messagiera with Jeanne Lamon on first violin plus Montreal’s premier cornetto and sackbut ensemble La Rose des Vents.
Last night’s Soundstreams concert at Trinity St. Paul’s riffed off the basic idea of Bach’s Musical Offering; getting musicians to create music on a theme with a high improvisory element. The line up was the Gryphon Trio (Roman Borys, cello; James Parker, piano; Annalee Patipatanakoon, violin), SlowPitchSound (aka Cheldon Paterson); turntables, Dafnis Prieto; drum kit, Scott Good; trombone, conductor and Roberto Occhipiniti; bass. Things started out with SlowPitchSound remixing prerecorded fragments of the Musical Offering with live interventions by the trio. It was interesting and fun though whether it revealed “secret messages” I really couldn’t tell. The turntables reappeared between items in the rest of the program in very short fragments that seemed too cursory to have much to say.