December is not just Messiah though heaven knows there are plenty of those…
On Sunday 1st Voicebox is presenting Janáček’s Katya Kabanova. It has a strong cast including Lynn Isnar, Emilia Boteva, Michael Barrett and Cian Horrobin. We don’t see nearly enough Janáček in Toronto. That’s at 2.30pm at the St. Lawrence Centre.
Against the Grain’s remount of Figaro’s Wedding runs December 3rd to the 20th at the Enoch Turner Schoolhouse at 8pm. Music direction this time is by Rachael Kerr and the cast includes Bruno Roy, Miriam Khalil, Ally Smither, Phillip Addis, Lauren Eberwein, Jacques Arsenault, Maria Soulis and Greg Finney. Review of the 2013 original.
Soundstreams last night presented an intriguing double bill of works in Indigenous languages on Indigenous themes at, appropriately, the Daniels Spectrum. First up was Pimoteewin; music by Melissa Hui, words by Tomson Highway. This piece uses English narration with the singing in Cree. It tells the story of the Trickster and the Eagle going to find out where people go when they die. To quote him “Why are my people always disappearing like this?” The Trickster’ tries unsuccessfully to bring the spirits back to the land of the living and finally realises that that’s not such a good idea. Musically it had almost a liturgical or meditative quality with a lot of fairly hushed choral singing behind strong solo performances by Bud Roach and Melody Courage.
I think it’s time to get back to doing two listing posts per month as the schedule is getting pretty busy.
On November 1st at 8pm Karina Gauvin is appearing at Koerner Hall with the Pacific Baroque Orchestra in a programme of opera arias from 18th century St. Petersburg. The following night at 7.30pm, in Mazzoleni Hall, the Glenn Gould School has its fall production. This time it’s Jonathan Dove’s Siren Song. Curiously UoT Opera is also doing a work by Dove this season.
Hell’s Fury(*) is a two man show about Hanns Eisler conceived and created by Tim Albery. It’s focussed on his time in the United States and, somewhat, on his return to the DDR. It combines songs from the Hollywood Songbook (poems by Brecht and others set by Eisler), dialogue and projections to tell the story of Eisler’s arrival in Hollywood, his work in the US, his deportation as a result of the “work” of the House Un-American Activities Committee and his return to the GDR and struggles to come to terms with the Stalinist culturecrats leading ultimately to drink, depression and death.
June is shaping up to busier than one might expect. But first here’s one last announcement for May. On the 22nd B-Exalted have a choral concert at the Church of St. Mary Magdalene at 8pm. Soloists are Dallas Chorley, soprano; Rebecca Gray, alto; Charles Davidson and David Walsh, tenors, and Janaka Welihinda, bass. More details here.
And so to June itself. There are two items of interest on June 1st. At Hart House Theatre at 2pm there’s a performance of Charlotte: A Tri-Coloured Play with Music before it leaves for a tour of Ukraine, the Czech Republic and Israel. I’m curious to see how it’s developed since we saw a version that was still rather WIP in June 2017. Later, at 8pm at St. Thomas Anglican Church there’s the latest in the Confluence Series. This one is titled At the River and features, among others, Larry Beckwith, Dylan Bell, Ian Cusson, James Meade, Marion Newman, Patricia O’Callaghan, Suba Sankaran, Jacqueline Teh and Giles Tomkins. This has become a “don’t miss” series.
On April 3rd at 6.30pm at Osgoode Hall there’s a “Musical Moot”. It’s a fundraiser and preview for the Seven Deadly Sins show upcoming (see below). It features singer/sinners Chloe Charles and Aviva Chernick, Cynthia Dale and Eric Petersen from CBC’s Street Legal plus former mayor (and one time rugby player) David Miller. Is this even legal?
There have been a series of interesting announcements about composers and commissions from the Canadian Opera Company recently. First is the announcement that Ian Cusson is to become composer-in-residence from August 2019. Cusson is part Métis and, readers may recall, featured as half of a memorable evening kicking off the new Confluence concert series in October. There’s an initial commission announced too. He will work with Colleen Murphy on a piece for “families and young people” that weaves elements of myth into a contemporary urban setting.