Hook Up is a 95 minute musical theatre piece from composer Chris Thornborrow and librettist Julie Tepperman. It’s been a while coming. I saw the first inklings of it at Tapestry Briefs in September 2013. That morphed into Selfieseen in workshop in October 2015. Now it’s morphed again. The basic characters are still there and some of the plot elements but the focus has shifted from cyber-bullying to sexual consent and the context from high school to first year university.
Tapestry’s 2018/19 season has been announced. There are two new operas plus Tapestry Briefs and Songbook IX. So here’s the lineup:
Tapestry Briefs: Tasting Shorts runs September 13th to 16th 2018. Four singers perform short works plus drinks and tapas.
Hook Up, which runs January 29th to February 10th 2019 at Theatre Passe Muraille is a partnership with that company. The libretto is by Julie Teppermann with music by Chris Thornborrow. It looks like a sort of “coming of age” piece about starting university. The singers are Alicia Ault, Nathan Carroll, and Jeff Lillico. None of them are known to me but a quick Google suggests actors-who-sing/musical theatre rather than opera.
Songbook IX is scheduled for March 2019. No further details at this stage.
Finally, and of most interest to me, is a new work co-produced with Opera on the Avalon. It’s called Shanawdithit and tells the story of the last recorded surviving member of the Beothuk Nation in Newfoundland, and the extinction and erasure of her people. The libretto is by Yvette Nolan with music by Dean Burry and it will be performed by an indigenous cast headed by Marion Newman. This will run on yet to be announced dates in May 2019. I’m excited about this one.
Opera 5’s double bill of Ethel Smyth one acters, Suffragette, opened last night at Theatre Passe Muraille in productions by Jessica Derventzis. The second piece, The Boatswain’s Mate, was in every way the more successful of the two. It’s a straightforward enough story. Mrs. Waters is a widow and landlord of The Outlaw (renamed in deference to the production’s beer sponsor). She is being very unsuccessfully courted by retired boatswain Harry Benn. Mrs. Waters doesn’t want or need a husband but Benn decides that by enlisting a casual acquaintance, the former soldier Ned Travers, as a fake burglar from whom he can “rescue” the hapless landlady. Much mayhem ensues but the upshot is that Mrs. Waters takes a shine to the hunky soldier and they, at least, live happily ever after.
Details are now available for Opera 5’s double bill Suffragette featuring the works of Dame Ethel Smythe. The show will feature two works; Fête Galante, a rather grim “dance dream”, in a somewhat Stravinskian style,and the feminist opera The Boatswain’s Mate, which makes extensive use of folksong tunes.In her day Smythe tended to be written off by the critics for being too masculine so it will be interesting to see how the works have fared with time.
The cast features Sri Lankan tenor Asitha Tennekoon, mezzo-soprano Eugenia Dermentzis, soprano Alexandra Smither and tenor Kevin Myers. The show is being led by an all-women production team, headed by Opera 5 Production Manager and Stage Director, Jessica Derventzis (absolutely not to be confused with Dermentzis); Production Designer Erin Gerofsky; and Lighting Designer Jennifer Lennon. Evan Mitchell will conduct with a chamber orchestra performing composer-original reductions.
Suffragette will play at Theatre Passe Muraille, Mainspace – 16 Ryerson Ave, Toronto on June 22-24 at 7.30pm and June 25 at 6pm.