Eclipse Theatre opened a run of Kander and Ebb’s musical version of Kiss of the Spider Woman last night at the Don Gaol. Now, as most of my readers now I’m not any kind of expert on musical theatre and being there last night was a result of intrigue at the subject matter and the location and the kind insistence of Ashley, Eclipse’s media person. Anything I say about the work then should be filtered through the “does this guy know what he’s talking about?” filter.
Voyage to Wien, presented by Sara Schabas and Daniel Norman at the Church of the Redeemer last night was a nicely constructed tribute in song to that city on the Danube. Things kicked off wittily with Bernstein’s (well he did conduct the Vienna Phil) “I hate music” followed by nicely rendered accounts of varied songs by the Mahlers and Schubert before exploiting the performers connections with the church choir to bring members of the choir in for “Ihr habt nun Traurigkeit” from Brahm’s German Requiem.
The 6th in the annual series of fundraisers for St. Mike’s ICU in memory of Elizabeth Krehm took place at Christ Church, Deer Park last night. Once again Evan Mitchell had assembled a fine orchestra of volunteers and Elizabeth’s sister, Rachel, sang. The orchestra book ended the program with the overture from Hänsel und Gretel and Brahm’s 4th Symphony; the latter a very red blooded account indeed with the brass and woodwinds getting a workout. The main interest though was the premier of Come Closer: Songs on Texts by Elizabeth Krehm. The texts are drawn from selections of Elizabeth’s writing, from Grade 2 to near the end of her short life, selected by Rachel. The music is by Ryan Trew. They are really quite evocative texts, showing a surprising emotional depth. The settings are apt; steering a middle ground between artsy and schmaltzy, and Rachel sang with real feeling. It was a loving and lovely act of remembrance.
Here are a few interesting events happening in the first half of November. There are competitions. There are also concerts…
Thursday 8th at 1.30pm in Walter Hall the Women’s Musical Club of Toronto are presenting baritone Thomas Oliemans, and pianist Malcolm Martineau in a programme consisting of Brahms’s Die schöne Magelone and Schumann’s Liederkreis, op. 39. Tickets etc here. There’s also a pre concert talk at 12.15pm when Jane Cooper will talk about Bertha Crawford. Continue reading →
Opera 5 opened a run of Rossini’s The Barber of Seville at the Factory Theatre last night. It’s arguably the most conventional thing Opera 5 have done. It’s a (very) mainstream piece. There was no accompanying themed food or drink (a glass of Rotsina?). There was no audience participation. There weren’t even Aria Umezawa’s characteristically minimalist touches. What there was a carefully constructed Barber for reduced forces directed by new Artistic Director Jessica Derventzis and conducted by Evan Mitchell.
June is kind of quiet but first there’s yet another show to mention for the busy last weekend of May. David Fallis is conducting his last performances as Music Director of the Toronto Consort. It’s Monteverdi’s Orfeo and it’s at Trinity St. Pauls at 8pm on the 25th and 26th and 3.30pm on the 27th. Besides David it features Charles Daniels in the title role, Kevin Skelton as Apollo, Laura Pudwell as Messagiera with Jeanne Lamon on first violin plus Montreal’s premier cornetto and sackbut ensemble La Rose des Vents.
Last night was the fifth concert in memory of Rachel Krehm’s sister Elizabeth. This year it was held in the rather cavernous and imposing Christ Church Deer Park, an Anglican church at Yonge and St. Clair. The concert opened with an elegiac piece for strings written by Jean Coulthard for the coronation of Elizabeth II. Then Rachel gave us a beautiful and moving account of Mahler’s Rückert Lieder. Um Mitternacht(*) is a particular favourite of mine and seemed especially fitting here. It was the full orchestral setting with Evan Mitchell conducting his extraordinary orchestra. They were back after the break for a thoroughly compelling account of Tchaikovsky’s great sixth symphony Pathétique. What’s remarkable is that this isn’t an orchestra that has a permanent basis. It’s a group of musicians who come together for these concerts and make great music on modest rehearsal time. It’s especially impressive that these things always seem to happen in huge churches with churchy acoustics rather than a concert hall and they still sound terrific. As in previous years, this was a fund raiser for the ICU at St. Mike’s and once again it looked like mission accomplished as there was a very decent audience in the church.