Rebanks fellows

Last night at Mazzoleni Hall we were entertained by the Royal Conservatory’s Rebanks fellows.  The programme was, to say the least, varied and very enjoyable.  It began with a movement from Mozart’s Piano Quartet in G minor played by Isobel Howard – violin, Caleb Georges – viola, Joanne Yesol Choi – cello and Sejin Yoon – piano.  It was a pleasant, if conventional, start to the evening.  There were rather more fireworks in the “Allegro ma non troppo” from Strauss’ Violin Sonata in E flat major.  There was some seriously virtuosic playing here from Aaaron Chan – violin and Ben Smith – piano.

1. Group Photo

from L to R: Michael Bridge, accordion; Caleb Georges, viola; Isobel Howard, violin; Sejin Yoon, piano; Hannah Crawford, soprano; Daniel Hamin Go, cello; Tim Beattie, guitar; Jonelle Sills, soprano; Aaron Chan, violin.

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Classy singing from the Rebanks fellows

Yesterday’s free concert in the RBA featured the vocalist Rebanks fellows from the Glenn Gould School.  There was some very classy and very powerful singing.  We heard Hannah Crawford, fresh off her second place at Centre Stage, sing a couple of arias; “Pleurez, plearez mes yeux” from Masenet’s Le Cid and “Come Scoglio” from Cosí.  There was some very considerable power on display here as well as accuracy and emotion.  Definitely one to watch.

hannah

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Eight singers drinking

michaelEight drinkers singing.  Or vice versa.  I forget.  Anyway, last night’s extravaganza from Tongue in Cheek Productions and Opera5 at Gallery 345 was a blast.  The schtick was that eight people got to choose a cocktail and a related song set while the audience could purchase their choice(s) of the said beverages.  There was a lot of clowning around and some very good singing all backed up by a very serious looking Trevor Chartrand at the piano. Continue reading

Collectìf – Beyond Perception

Collectìf’s latest show for the Toronto Summer Music Festival at Walter Hall last night was called Beyond Perception: What Haunts Us Now.  It presented three new multimedia works each curated and directed by one of the trio of singers.  The first piece, by Whitney O’Hearne featured arrangements of French works; both folk and classical that deal with the idea of La Dame Blanche; by turns sorceress or virgin bride.  Turning the idea of male defined female transgression upside down to celebrate women’s agency, O’Hearn combined arrangements of the chosen music for combinations of three voices and piano with soft focus atmospheric video rather reminiscent of Collectìf’s Winterreise show at Heliconian Hall.  The singing was beautiful and the concept intriguing.  Top notch accompaniment by Trevor Chartrand.

DSCF0267-Gord Fulton

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