Eight drinkers singing. Or vice versa. I forget. Anyway, last night’s extravaganza from Tongue in Cheek Productions and Opera5 at Gallery 345 was a blast. The schtick was that eight people got to choose a cocktail and a related song set while the audience could purchase their choice(s) of the said beverages. There was a lot of clowning around and some very good singing all backed up by a very serious looking Trevor Chartrand at the piano. Continue reading
Tongue in Cheek’s latest show, Democracy in Action, took place at the Lula Lounge last night. The concept was pretty straightforward. There were eight (almost) singers and a pianist. Each singer offered up five numbers ranging from opera through art song to musical theatre and pop. Advanced on-line polling had selected one song per singer. Polling of the audience in the house produced the other two. The in house polling was supported by really rather well done videos in which the “composers” tried to persuade the audience to vote for their stuff.
Toronto Operetta Theatre’s current production is Oscar Straus’ The Chocolate Soldier in the English version. It’s based on Shaw’s Arms and the Man but, as is usually the case with musical adaptations of Shaw, it’s rather less acerbic than the original. In fact, it comes over as a somewhat farcical love story with a few gentle pot shots at the military and militarism. There are some good comic lines and the music is tuneful and well crafted.
By an odd coincidence two season announcement pressers hit my in box today; Toronto Operetta Theatre and Les Ballets Trockadero de Monte Carlo. Toronto Operetta Theatre have four shows:
- The Waltz Rivals (November 6th at 3pm) is a Léhar and Kálmán greatest hits show featuring Lucia Cesaroni, Adrian Kramer, Holly Chaplin, Stefan Fehr and Greg Finney with Michael Rose at the piano.
- Gilbert and Sullivan’s The Pirates of Penzance runs from December 27th to January 8th, 2017. Colin Ainsworth sings Frederic, Vania Chan is Mabel and Curtis Sullivan is the Major General. Derek Bate conducts and Guillermo Silva-Marin directs.
- Oscar Straus’ The Chocolate Soldier, based on George Bernard Shaw’s Arms and the Man, runs on April 26th, 28th, 29th and 30th, 2017. Peter Tiefenbach leads the orchestra and the cast includes Jennifer Taverner, Anna Macdonald, Michael Nyby and Stefan Fehr.
- Finally there’s an Offenbach tribute concert on June 4th 2017.
All performances are at the St. Lawrence Centre for the Arts.
I caught the second and final performance of Isis and Osiris – Gods of Egypt presented by Voicebox:Opera in Concert yesterday. It’s a new piece with a libretto by Sharon Singer and music by Peter-Anthony Togni. It tells the story of mythical ancient Egypt under the rule of sibling consorts Isis and Osiris and there struggle with their brother Seth who embodies violence and chaos. In the process Seth disposes of Osiris in fourteen pieces but Isis manages to gather up all save the phallus. A golden replacement is made, Osiris is revived and the cosmic order restored. It’s quite a promising premise but it never really comes off.
The Cousin from Nowhere is a German operetta by Eduard Künneke that premiered in Berlin in 1921. Last night it received its Canadian premier, in English translation, at Toronto Operetta Theatre. It’s a light, charming romcom with few pretensions but much to enjoy. The plot is simple in outline though convoluted in almost Gilbertian way. Julia is an heiress under the guardianship of her aunt and uncle and about to come of age and, thus, come into the fortune that hitherto the older couple have been able to enjoy. She is in love (or thinks she is) with her third cousin twice removed Roderich, who left to make his fortune in the East Indies seven years ago. Aunt and uncle scheme to marry her to their nephew August. Various more or less improbable plot twists involve August impersonating Roderich and successfully winning the heart of Julia while Roderich returns and falls instantly in love with Hanna, Julia’s bestie. It all ends happily. The music is not unlike Viennese operetta with some nods to jazz and popular post war dance music but if you are expecting pre echoes of Berg or Weill you are going to be disappointed. It’s quite conventional but essentially well crafted light entertainment.