Streams and things

A quick reminder that tonight, tomorrow and Saturday see new streams from AtG (A Little Too Cozy prequel), The GGS Fall Opera (Seven Deadly Sins and Lucrezia) and Confluence (Purcell).  There’s also new content on the appropriate Youtube channels from Domoney Artists and Alex Hajek.

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Arts Anyway – Dinosaur Edition

The latest Arts Anyway webstream is up on Youtube.  This edition features two varry varry posh dinosaurs introducing Alexander Hajek singing Fauré and Rebecca Cuddy singing two of Ian Cusson’s settings of texts by Marilyn Dumont.  I think this is the kind of music and the kind of engagement that I miss most hunkered down here in the KittenKondo.  I can live without Mozart or Wagner (just about) but artsong, especially artsong that speaks to what matters to us most today… not having that hurts.  Keith Lam’s interviewee is also Rebecca Cuddy.

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Alexander Hajek webstreams

Alexander’s recording of yesterday’s livestream is up on his Facebook page.  It’s a compilation of Italian songs from the renaissance on down and he accompanies himself on piano.  The video quality is not great but the sound is fine and it’s fine singing.  If you scroll down a bit there’s also another stream of him singing Schubert’s Winterreise.

For technical reasons these are NOT on Youtube.

Democracy in Action

Tongue in Cheek’s latest show, Democracy in Action, took place at the Lula Lounge last night.  The concept was pretty straightforward.  There were eight (almost) singers and a pianist.  Each singer offered up five numbers ranging from opera through art song to musical theatre and pop.  Advanced on-line polling had selected one song per singer.  Polling of the audience in the house produced the other two.  The in house polling was supported by really rather well done videos in which the “composers” tried to persuade the audience to vote for their stuff.

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Tap:Ex Forbidden

Tapestry’s new experimental show opened last night at the Ernest Balmer Studio.  It’s a “mash up” of Persian classical music and hip hop around the theme of The Child and The Stranger, who turns out to be Lucifer.  Lucifer seeks to show the child that authority and rules serve only to allow the powerful to abuse and punish others.  This is explicated in six short scenes using the various musical resources and styles available.

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Oksana G.

Aaron Gervais’ and Colleen Murphy’s Oksana G. finally made it to the stage last night after a most convoluted journey.  It’s being produced by Tapestry at the Imperial Oil Theatre with Tom Diamond directing.  The wait, I think has been worth it.  The story, set in 1997, of a naive country girl from the Ukraine who gets caught up in sex trafficking is dramatic and the it convincingly depicts the sleazy underworld of southern and eastern Europe created by the collapse of the USSR, the civil wars in the Balkans and the pervasive official corruption in countries like Ukraine, Greece and Italy.  It’s gritty and, at times, not at all easy to watch.

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