Back to the Future

Do you remember back when real live musicians used to perform for a real live audience?  Well some mad dudes are trying to revive it.  Tapestry Opera have some shows in conjunction with Canadian Stage coming up in High Park.  July 10th, 11th, 17th and 18th you can catch the show “Box Concerts” that Tapestry have been taking around health care facilities and offering for private booking.  It’s PWYC.  Booking is via Canadian Stage.  Also on the 17th at 3pm there’s an extended program including excerpts from Rocking Horse Winner where Asitha Tennekoon will be joined by Midori Marsh and Lucia Cesaroni.  That’s $50 booked at the same page.

Asitha Tennekoon performing in Tapestry Opera's Box Concerts. Photo by Dahlia Katz (1)

Photo credit: Dahlia Katz

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All the news that fits…

orvaxThere’s less being produced right now in the way of on-line content but here are a few titbits:

  • Opera Revue has a new and very silly vaccine related number on Youtube.
  • Sara Schabas has a recital recorded in the Spiegelsaal at the Opernhaus Zürich premiering on Sunday.  This one is ticketed ($10 in aid of Highlands Opera Studio).  Tickets here.
  • Kathy Domoney has a new series of Opera Breaks coming up.  You can check out previous Opera Breaks here, which is also where the new stuff will eventually appear.  The schedule is:
    • June 12th – “Dite alla giovine”, La Traviata ( Verdi) duet – Natalya Gennadi, soprano & Dion Mazerolle, baritone
    • June 26th – “ Green Finch and Linnet Bird”, Sweeney Todd ( Sondheim) – Caitlin Wood, soprano
    • July 10th – “Crudel! perché finora”, Le Nozze di Figaro (Mozart) duet – Caitlin Wood, soprano & Clarence Frazer, baritone
    • July 26th – “ Vilia” , The Merry Widow ( Léhar) – Natalya Gennadi, soprano

There’s also been a sorta, kinda “season announcement” from the COC.  You can find it and Perryn Leach’s take on it on the COC Youtube channel.  Basically there’s going to be free, live streamed content from the Four Seasons Centre in the fall using the kit I talked about in discussing the COC/NBC’s digital strategy back when.  What it is, whether there will be any kind of in-house audience and what happens after Christmas we have to wait until August to find out.

Around the tubes

Once more the week’s Youtube offerings show that digital works best when it’s “made for digital”.  Who’d a thunk it eh!  Anyway there’s very watchable new content on Youtube from Alexander Hajek, Opera Revue and Domoney Artists.  Best of all though is a new short film called Sempra Libera from Carsen Gilmore and the very good soprano Michelle Drever.  If you like the look and feel of Morte you’ll love this.  It’s really dark.  It’s the grimmest take on Violetta I’ve seen; Natalie Dessay included!

sempralibera

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Into March

groundhogPickings are still decidedly slim in terms of locally created on-line content with many postponements due to the current lockdown in Toronto.  What I have lined up is as follows:

  • The UoT Opera Student Composer Collective’s annual show is being streamed at 2.30pm on Sunday 21st February.  This year it’s called Escape Room and it’s a comedy with a scenario of characters trapped in a darkened room with no memory of how they got there.  It’s being streamed via Zoom and preregistration at this link is required.
  • The COC has a roundtable on Gender and Opera on its Youtube channel on March 5th at 7pm.
  • Confluence Concerts are offering a tribute to John Beckwith; specifically his songs, on March 7th at 2pm, 5pm and 8pm.  That’s on Confluence’s Youtube channel.
  • Tapestry have two shows coming up on their Youtube channel.  March 6th at 8pm sees Mireille Asselin and guests perform a range of works celebrating their French heritage.  Then on March 27th at 8pm Morgan-Paige Melbourne performs Where Do I Go?; an intriguing looking mixture of piano and dance.

There’s also new short but fun content on the appropriate Youtube channels from Opera Revue, Alexander Hajek and Domoney Artists.

Do check to make sure that there aren’t further changes before planning your life around these events!

A few thoughts on web content

I last saw a live show in a theatre on March 13th.  Eight months later I’ve watched a lot of web content as well as continuing to review commercial opera recordings.  A month ago I wrote in Opera Canada that “there’s no substitute for live” and I stand by that view.  I do think though that there’s an opportunity and a need to rethink how opera and song is produced for webstreaming.

renaissance

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Streams and things

A quick reminder that tonight, tomorrow and Saturday see new streams from AtG (A Little Too Cozy prequel), The GGS Fall Opera (Seven Deadly Sins and Lucrezia) and Confluence (Purcell).  There’s also new content on the appropriate Youtube channels from Domoney Artists and Alex Hajek.

hajekdichterliebe

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News roundup

So what am I still watching on-line?

  • Opera Revue; they are still producing interesting concerts more or less weekly
  • Against the Grain; ditto plus interviews
  • Opera Vision; useful source of full length opera videos in less boring productions than the Met

jtmask

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