Yesterday I received seven assorted emails about cancellations in Toronto plus news from the Metropolitan Opera. Essentially all the major orchestras and music theatre organisations in Toronto are shuttered until at least the end of the month. Events are also being called off elsewhere so check your location situation. Here’s a quick run down:
The Four Seasons Centre is closed until the end of the first week of April. So, the ballet is off, as is the free concert series. The COC is still planning to run its spring season but we’ll see.
Tafelmusik and the TSO have cancelled performances until the end of the month.
After tomorrow the UoT and the Conservatory are cancelling public events until the end of the month.
Tapestry Songbook on March 21st is sort of cancelled. There will be no live audience but the show will be live streamed at 8pm and the performers are being paid. Go Tapestry!
Amici Chamber Ensemble’s show on the 29th is off.
The Metropolitan Opera is closed so no Live in HD but they are doing free nightly web casts of the HD back catalogue. Details here.
The 5th Annual Toronto Bach Festival will take place from May 29th to 31st. All the details are at www.TorontoBachFestival.org. The big event is a performance of the B minor Mass on the 31st at 4pm at Eastminster United Church on the Danforth. The line up of soloists is quite impressive; Hélène Brunet, Ellen McAteer, Daniel Taylor, Charles Daniels and Joel Allison. They will be joined by a small choir and period instrument ensemble. John Butt conducts. In addition there’s a line up of recitals, concerts and lectures.
December is not just Messiah though heaven knows there are plenty of those…
On Sunday 1st Voicebox is presenting Janáček’s Katya Kabanova. It has a strong cast including Lynn Isnar, Emilia Boteva, Michael Barrett and Cian Horrobin. We don’t see nearly enough Janáček in Toronto. That’s at 2.30pm at the St. Lawrence Centre.
Against the Grain’s remount of Figaro’s Wedding runs December 3rd to the 20th at the Enoch Turner Schoolhouse at 8pm. Music direction this time is by Rachael Kerr and the cast includes Bruno Roy, Miriam Khalil, Ally Smither, Phillip Addis, Lauren Eberwein, Jacques Arsenault, Maria Soulis and Greg Finney. Review of the 2013 original.
Opera Atelier’s current production of Mozart’s Idomeneo is frustrating, especially given their recent run of good form. It, unfortunately, combines a fussy, rather pointless production with histrionic antics and uneven singing. It’s just not good enough.
The idea of recreating an accademia musicale (private concert) at the home of Roman artist/patron Pier Leone Ghezzi in 1723 and putting on works that might have been played at such an event is an intriguing one. Add to that that we were promised caricatures; Ghezzi being a noted pioneer of the form. Marco Cera, who conceived the show, seemed to be onto a good thing.
What we actually got wasn’t exactly what I expected. There were the musicians, including noted baroque soprano Roberta Invernizzi, impersonating Ghezzi’s guests; from Vivaldi to Farinelli, with Cera himself as Ghezzi. But there was also Ghezzi’s servant, played as Harlequin, acted by Dino Gonçalves. The show was heavy on Harlequin’s cheeky chappy clowning which was, as the lemur put it, like “watching Jerry Lewis channelling Roger Rabbit”. Not really my thing.
Yesterday the lemur and I ventured out to Roy Thomson Hall for Tafelmusik’s Singalong Messiah. I did this with some trepidation. There were reasons for this. First, I’m not a great sight reader; I sorta, kinda get by but I’m much more comfortable in the middle of a group of better singers that I can key off. But there’s the rub, I’m a tenor. I did this gig before in 2003 and there were like a million sopranos and seven tenors. See first point. It ain’t happening.(*). Finally, I had been fighting a cold/cough all week and feared that my voice would be better suited to Aristophanes than Handel. Fools tread boldly etc.
Here’s what’s coming up over the holidays and into January.
Toronto Operetta Theatre’s seasonal production this year is Strauss’ Die Fledermaus. It runs December 28th through January 2nd at the St. Lawrence Centre for the Arts. The cast includes Lara Ciekiewicz as Rosalinde, Adam Fisher as Eisenstein and Caitlin Wood as Adele. Derek Bate conducts the TOT orchestra and Guillermo Silva-Marin directs.
The 21C Music Festival runs from January 16th to 20th. This time it will celebrate the American minimalist composer Terry Riley, with his music being performed in three of the concerts, including one that he will headline, titled Terry Riley: Live at 85! Full details at rcmusic.ca.