Frustrating Idomeneo

Opera Atelier’s current production of Mozart’s Idomeneo is frustrating, especially given their recent run of good form.  It, unfortunately, combines a fussy, rather pointless production with histrionic antics and uneven singing.  It’s just not good enough.

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Opera Atelier 2019/20

Opera Atelier has announced its 2019/20 season.  As usual there are two main stage shows.  The first is a revival of their 2011 production of Mozart’s Don Giovanni.  It runs from October 31st to November 9th, 2019, in the Ed Mirvish Theatre.  It’s a production that plays up the comedy and the elements of the commedia dell’arte in the piece while pretty much eschewing anything deeper or darker.  The cast includes Douglas Williams as the Don with Stephen Hegedus as Leporello, Colin Ainsworth, as Don Ottavio, Meghan Lindsay as Donna Anna, Carla Huhtanen as Donna Elvira, Mireille Asselin as Zerlina, Olivier Laquerre as Masetto, and Gustav Andreassen as Commendatore. beautiful Ed Mirvish Theatre.  David Fallis conducts.

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Actéon et Pygmalion

Opera Atelier’s french double header opened last night at the Elgin Theatre.  It was, bar the occasional twist, classic Opera Atelier.  They presented two French baroque operas in their distinctive style with a little humour and none of the excesses that have sometimes crept in.

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Opera Atelier 2018/19 season

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Measha Brueggergosman.
Photo by Bruce Zinger.

Opera Atelier have announced their 2018/19 season.  As usual, there are two shows.  In the Fall there is a double bill of Charpentier’s Actéon paired with Rameau’s Pygmalion (Oct. 25 – Nov. 3, 2018).  Colin Ainsworth, who has also been named as OA’s first “artist in residence”, features in both title roles with Mireille Asselin as Diana and Amour and Allyson McHardy as Juno and Céphise.  The supporting cast includes Jesse Blumberg, Christopher Enns, Meghan Lindsay, Cynthia Smithers and Anna Sharpe. Pygmalion will be prefaced by Opera Atelier’s first Canadian commission for solo baroque violin and contemporary dancing, entitled Inception.  It will be performed by composer/violinist Edwin Huizinga and choreographer/Artist of Atelier Ballet, Tyler Gledhill. Following its Toronto dates, the show will tour to the Royal Opera House in Versailles.

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Afghanistan: Requiem for a Generation

Last night’s TSO program started off with a sort of Remembrance Day pot pourri; pipes, bugles, a bit of poetry, an excerpt of Vaughan Williams in between and finally a rather beautiful account of The Lark Ascending with Jonathan Crow playing the solo from high up in the Gallery.  Once upon a time the TSO would do Remembrance Day by performing an appropriate work or works, Britten’s War Requiem for example.  I think that might actually be a more effective way of remembering.

Jonathan Crow_The Lark Ascending (@Jag Gundu)

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Opera Atelier’s Médée

There are umpteen operas based more or less closely on the legends surrounding Medea, Jason, the Golden Fleece and the events afterwards in Corinth.  Marc-Antoine Charpentier’s 1693 version to a libretto by Corneille deals with the events in Corinth subsequent to Jason and Medea’s return with the fleece.  The plot, in essentials, is simplicity itself.  Jason is scheming to secure his future, and that of his children, by ditching Médée and marrying the king’s daughter Créuse.  Médée is not having this and wreaks revenge on just about everybody else in the piece.  Somehow Charpentier and Corneille string this out over five acts and the obligatory prologue glorifying Louis XIV, wisely omitted by director Marshall Pynkoski.

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And now, the TSO

tso-music-director-peter-oundjian-photo-credit-sian-richardsHot on the heels of the RCM, the Toronto Symphony has announced its 2017/18 season, whih will be Peter Oundjian’s last as Music Director.  There’s lots of sesquicentennial stuff of course but here’s a summary of the interesting vocal stuff (rock and roll and other children’s music omitted).

September 27,28 and 30, 2017: Brahm’s German Requiem with Erin Wall and Russell Braun.

October 19 and 20, 2017: Mahler’s Das Lied von der Erde with Susan Platts and Michael Schade.  This is billed as a Maureen Forrester commemoration.

November 9 and 11, 2017: Jeffrey Ryan’s Afghanistan:Requiem for a Generation with Measha Brueggergosman, Alysson McHardy, Colin Ainsworth and Brett Polegato.

December 16, 19, 20, 22 and 23, 2017: Handel’s Messiah with Karina Gauvin, Kristina Szabó, Frédéric Antoun and Joshua Hopkins.

April 26 and 28, 2018: A concert performance of Bernstein’s Candide with Tracy Dahl, Judith Forst, Nicholas Phan and Richard Suart.

June 2 and 3, 2018: A concert called Water Music with Leslie Ann Bradley singing Dvorak, Schubert and Mozart.

June 28 and 29, 2018:  Peter Oundjian signs off with a Beethoven 9.  Soloists tba.

Full details here.