The “postponed from the fall” double bill from the Glenn Gould School finally streamed on the Koerner Hall channel last night. The first piece was likely familiar to most viewers; Kurt Weill’s The Seven Deadly Sins given in piano score in a production by Amanda Smith. The concept here is that Anna 2, rather than being a dancer, is some kind of on-line celebrity exploiting dating sites to bring her fame and fortune. The production had originally been designed for an audience and used moveable plexi-glass shields to ensure social distancing. It also made extensive use of projected conversation bubbles, emojis and other social media effects. This seems to have been ramped up in post production to add picture-in-picture effects and maybe to make the lighting; already a sort of rave inspired blend of blues and pinks with touches of rather lurid green, even more dramatic. With on screen subtitles it was arresting but maybe just a little too busy to fully process!
Right now January is looking a bit thin. All I have booked right now are:
- January 8th at 7.30pm. The Glenn Gould School’s postponed fall opera show. It’s Weill’s Seven Deadly Sins and Bolcom’s Lucrezia. That’s going to be streamed free on the Koerner Hall performance website.
- January 13th at 6pm is the next concert in the Confluence series. It’s The Mandala – The Beauty of Impermanence and it’s curated by Suba Shankaran. Also free and streamed on the Confluence Youtube channel.
- January 30th at 8pm. Tapestry’s next offering. It’s called A Joke Before the Gallows and features pianist Adam Sherkin performing Chopin’s four masterpiece scherzi alongside monologues written by David James Brock. The show is described as “blackly funny and thought-provoking” and is directed by Tom Diamond. Also free, also on Youtube.
There will likely be additions as the moth goes on as people seem to put stuff up with very little advance notice!
Further to my post earlier today. The GGS Fall Opera streaming is not on for tomorrow. It’s been postponed until January. This was not communicated to me. The same thing happened with the Opera Atelier postponed show where it was still showing for the original date right up to that date on the RCM website but in that case OA’s PR people were able to give me the correct information. I’m not best pleased.
A quick reminder that tonight, tomorrow and Saturday see new streams from AtG (A Little Too Cozy prequel), The GGS Fall Opera (Seven Deadly Sins and Lucrezia) and Confluence (Purcell). There’s also new content on the appropriate Youtube channels from Domoney Artists and Alex Hajek.
Things I’ve seen recently or plan to see include:
- Two more spooky shorts from Tapestry Opera and Red Truck productions. If you had any lingering doubts about Keith Klassen’s sanity these should take care of them! That said, the technical quality of these is amazing. (Tapestry Youtube channel).
- A COVID flavoured Halloween special from Opera Revue. (Opera Revue’s Youtube channel)
- A recording and video presentation by the Kingston Symphony of Dean Burry’s Nijmegen Bridge 1944. It’s a homage to the Canadians who died liberating the Netherlands and it’s well worth hearing. There are also more Harmon in Space episodes. (Kingston Symphony Youtube channel)
March is looking a bit thin right now. Both UoT Opera and the Glenn Gould School have shows though. From the 12th to the 15th in the MacMilan Theatre (7.30pm, Sunday 2.30pm) the university is doing Jonathan Dove’s Mansfield Park in a production by Tim Albery. I’m not familiar with this work but generally I’ve been very impressed with Dove’s vocal music. Casting etc is here. On the 18th and 20th the GGS is putting on Ravel’s L’heure espagnole and Puccini’s Suor Angelica which is certainly an unusual pairing. The double bill plays at Koerner Hall at 7.30pm. Casting and creative team details are here. UoT also have a show on the 27th at 5pm in Walter Hall called Parlami d’Amore. In non university gigs, Tapestry Songbook X is at the Ernest Balmer Studio on the 20th at 8pm.
In free events there are a couple of noon hour concerts in the RBA. On the 17th the Ensemble Studio have a March Break “Opera for All Ages” concert and on the 31st transgender soprano Brianna Sinclair is appearing. And of course there’s Opera Pub in its usual time and place on the 5th.
The GGS Vocal Showcase is an opportunity to see all the current vocal students at the school in recital. It’s interesting because it’s an opportunity to “talent spot” and to see how one’s favourites from previous years are progressing. But it’s important to calibrate. The talent on show ranges from first year undergrad to post grads. That’s a six year span; enough university to take one from A levels to PhD when I was a lad. Nobody should expect the standard to be even.
Jonathan Dove’s 1994 one act opera Siren Song is a twisted little piece and very enjoyable. Apparently it’s based on a true story which just makes it weirder. Its the mid 1980s. Davey Palmer is an Able Seaman on HMS Ark Royal. He answers an ad in Navy News from a young woman, Diana, seeking a pen pal. Diana is a model and the relationship gets quite steamy but somehow whenever Davey gets shore leave there is some reason why Diana can’t meet him. Soon Diana’s brother Jonathan is showing up to make the excuses. Diana has throat cancer and can’t make phone calls and on it goes until the nature of the phone calls between Davey and Jonathan leads the MOD police to investigate a possible homosexual relationship. Surprise! There is no Diana and Jonathan is a con man. It’s very cleverly constructed with Diana appearing as a character though, we realise eventually, only in Davey’s imagination and the the pacing is such that our suspicion builds rather than the denouement being a huge surprise.
I think it’s time to get back to doing two listing posts per month as the schedule is getting pretty busy.
On November 1st at 8pm Karina Gauvin is appearing at Koerner Hall with the Pacific Baroque Orchestra in a programme of opera arias from 18th century St. Petersburg. The following night at 7.30pm, in Mazzoleni Hall, the Glenn Gould School has its fall production. This time it’s Jonathan Dove’s Siren Song. Curiously UoT Opera is also doing a work by Dove this season.
I went into last night’s Glenn Gould School performance of Mozart’s The Magic Flute at Koerner Hall with all kinds of questions buzzing around in my head; partly because of an earlier conversation with director Joel Ivany and partly, well, Magic Flute – that most enigmatic of operas. If only one could go back (more than forty years) to seeing it for the first time!