A couple of things

werther-nzkrkplp.v3wThe Art Song Foundation of Canada has launched a new free on-line magazine called, somewhat unsurprisingly, Art Song Canada.  The first issue has three articles including a very interesting one by Gerald Finley.  You can sign up for it and see the first issue here.

A listing I missed on the weekend… On November 25th at 2.30pm in the Jane Mallet Theatre, VOICEBOX:Opera in Concert are presenting Massenet’s Werther with Matt Chittick in the title role,  Isabel Bayrakdarian as Charlotte and Brett Polegato as Albert.  Narmina Afandiyeva directs from the piano.

Looking ahead

Bundesarchiv_Bild_146-2005-0119,_Kurt_WeillThings are starting to liven up again in the Toronto scene.  Here’s a look ahead to the balance of September and the first half of October.  This week sees a performance of Weill’s Little Mahagonny by VOICEBOX at Gallery 345.  That’s on Tuesday 25th at 7.30pm and will be followed by a wine and cheese reception. Tickets are available at Eventbrite.

The COC season opens on the 30th with Tchaikovsky’s Eugene Onegin featuring Gordon Bintner, Joseph Kaiser and Joyce El-Khoury.  There are eight performances ending on 3rd Novemeber.  The companion work is the premier run of Rufus Wainwright’s Hadrian which opens on October 13th.  It’s a starry cast including Thomas Hampson and Karita Matilla.  There are seven performances ending October 27th.

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Victor Davies’ Rita Joe

Victor Davies’ The Ecstasy of Rita Joe opened last night in a production by Guillermo Silva-Marin at the Jane Mallett Theatre.  It’s based on the play by George Ryga that caused a stir when it opened in Vancouver in 1967.  The play was described as indirect and allusive with no clear narrative thread by the critics back then and was praised perhaps more for tackling the subject than for its intrinsic merits which were far from universally appreciated.  Interestingly, as is so often the case in Canada, although rarely performed it has attained “classic” status.  One word Victor Davies uses to describe the play is “expressionistic” but curiously rather than taking that as a jumping off point for the music (as Strauss and Berg did) he decides it’s an inappropriate idiom for “the lyric approach needed for the melody to unfold”.  Why one needs “melody to unfold” in a disturbing tale of a young native woman’s descent into a hell of sexual abuse, alcohol, drugs, prison and, ultimately, her murder and why that melody should be couched in 1940s jazz/swing terms wasn’t obvious to me.

Marion Newman and Michelle Lafferty

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Voicebox 2018/19

mahagonnyVOICEBOX:Opera in Concert announced their 2018/19 season last night.  There are three main stage shows.  Two of them, alas, I can’t muster much enthusiasm for; Massenet’s Werther (November 25th 2018) and Schubert’s Fierabras (February 3rd 2019).  The first features Goethe’s version of Fotherington-Thomas and the latter is one of the most confused and implausible messes ever to “grace” an opera stage.  I’m much more up for the third show; Weill’s The Rise and Fall of the City of Mahagonny (March 30th/31st 2019). No details on casting or anything else but I assume the first two will be piano score and the last a chamber ensemble.  There are also two shows at Gallery 345; Little Mahagonny: a Tribute to Weill (September 25th 2018) and Viva Verdi (April 3rd 2019).

 

 

Out like a lamb?

yourewelcome365pxNot much sign of spring as we move into the second half of the month but there are some things musical to enjoy while we await the return of the sun.  On March 18th at 2pm in Mazzoleni Hall there is You’re Welcome Rossini with the glamorous duo of Allyson McHardy and, the not seen often enough in Toronto, Lucia Cesaroni.  This one is officially sold out but there may be rushes.  Ten bucks says they do the Cat duet.
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I due Figaro

Mercadante’s I due Figaro(1) is one of a number of operas that continue the story of Figaro, Almaviva etc into a third instalment.  It sets a libretto by Felice Romani based on Les deux Figaro by Honoré-Antoine Richaud Martelly.  It premiered in Madrid in 1835 but was lost for many years before being rediscovered in 2009 and given at the 2011 Ravenna Festival.  Yesterday in got its Canadian premier at VOICEBOX:Opera in Concert.

iduefigaro

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Looking ahead to February

groundhog-day-usaFebruary is going to be really busy so I think I’ll take the previews in chunks.  First up though one event in January I haven’t yet had opportunity to mention.  This coming Sunday 21st Fawn Chamber Creative have a PWYC fundraiser for their in process  opera-ballet project.  It’s from 2-6pm at The Smiling Buddha.  It will be party, silent auction and some performance.  Previous ones have been fun but I’m booked Sunday.  Details at: http://www.fawnchambercreative.com/events/upcoming/. Also in January and missed off the radar, on the 28th at 3pm at Mazzoleni Hall,the Amici Ensemble have a Strauss inspired concert featuring the lovely but tiny Sasha Djihanian who is current holder of the loudness to weight record for a soprano.

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