Cherubini’s Médée is a French opéra comique (i.e. with spoken dialogue) which premiered in March 1797. It’s based on Euripides by way of Corneille whose Médée of 1635 was written, as one might expect, in alexandrines. So its roots, and the work itself, are very much in the French classical tradition. The complication is that the work is much better known in its Italian version with sung recitatives (not authorised by Cherubini) and has developed as a “show off” vehicle for star sopranos; notably Maria Callas and, more recently, Sondra Radvanovsky. Along the way it’s lost a lot of its classicism and become almost verismo like. So I was intrigued to see how much Guillermo Silva-Marin, in presenting the work “in concert” at the St. Lawrence Centre, would try, and how much he would succeed, in reclaiming the Cherubini of a Paris tipping from revolution to Bonaparte.
Tag Archives: rumble
Die Fledermaus revived at TOT
Toronto Operetta Theatre opened a run of Johann Strauss’ Die Fledermaus at the St. Lawrence Centre yesterday. It’s a revival of their 2018 production and I don’t think my opinion of the production has really changed. The jokes have been updated a bit; mostly to reflect the anticipated imprisonment of a certain former US president (I wish!). But basically the schtick is the same.
A Waltz Dream
Oscar Straus’ A Waltz Dream opened last night in a Toronto Operetta theatre production at the St. Lawrence Centre. The piece premiered in Vienna in 1907 and soon became a huge international hit with various English versions appearing quite early on. The version given by TOT appears to be a 1970s version with book by Michael Flanders, Edmund Tracey and Bernard Dunn and the music adapted and arranged by Ronald Hanmer.