The Imagined is a new album of piano music by Alice Ping Yee Ho played by Christina Petrowska Quilico. There are four works. The first is Pictures from an Imagined Exhibitiion which riffs off pictures by Hong Kong ink master Wesley Tongson and Christina Petrowska Quilico herself. There are four movements. “Free Strokes” is kind of minimalist with arpeggios and repeated figures. It sounds weird to say it but it sounds “watery”. “Distant Drums” is similar in some ways but faster and with some much darker passages. “Mystical Mountains” by contrast is slower and darker with a kind of doom-laden quality. Finally “Dancing Colours” is bright and playful with, I think, some modal elements. It’s all quite virtuosic with occasional distinctly “non-western” touches.
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Echoes of the Underworld is immersive and engaging
Echoes of the Underworld, from choreographer Emily Cheung, poet Diana Tso and the Little Pear Garden Dance Company, transforms Campbell House into the Underworld where souls (i.e. us) are guided in small groups through different rooms of Campbell House for a very “in your face” encounter with ghosts, demons and other restless spirits.

Dark Tales
Duo Concertante play Alice Ho’s Dark Tales; pieces for violin and piano inspired by Newfoundland ghost stories. Full review at La Scena Musicale.
CCOC reprises the Monkiest King
This year’s Canadian Children’s Opera Company main show is a new production of Alice Ho and Marjorie Chan’s The Monkiest King which the company previously performed in 2018. This time it was at Harbourfront Centre Theatre which offered some additional opportunities and some challenges with its multi level configuration but also some sight line issues.
Carried by the River
Diana Tso’s Carried by the River is currently playing in the Extraspace at Tarragon Theatre in a production directed by William Yong for the Red Snow Collective. It’s the story of a Chinese girl, Kai, who is abandoned by her birth mother because of the “one child policy”, adopted by a Hong Kong mother and brought to Canada as a baby. When she’s about twenty her mother dies unexpectedly leaving her with many unanswered questions. She travels to the province of her birth in search of.. do we ever know what we “are in search of”?
Identität/個性
Wednesday’s lunchtime concert in the RBA was given by Ensemble Studio graduates Samuel Chan and Rachael Kerr, reuniting for the first time since ES days. Nowadays Sam is Fest at Theater Kiel and the recital was built around his attempt to probe his identity as a Chinese-Canadian performing Western opera for (mostly) Germans. Sam is a pretty deep, thoughtful kind of guy so it wasn’t surprising that this was an unusual and carefully curated recital. It was also quite wonderfully performed.
Late night in Temerty
Always one of my favourite concerts, the annual late night one in Temerty Theatre which forms part of the 21C festival. As usual on Saturday night Brian Current was conducting the GGS New Music Ensemble. This time it was two new Canadian works plus a 1994 piece by Luca Francesconi. Continue reading
Chinatown
Chinatown; music by Alice Ho, words by Madeleine Thien and Paul Yee, is a multilingual opera about the Chinese immigrant experience in British Columbia. It ws commissioned by Vancouver City Opera where it played in 2022. It’s now been recorded for CD by the original cast.
Like some of Alice Ho’s previous work (The Monkiest King, The Lesson of Da JI) Chinatown is cross cultural in many ways. It combines Western and Chinese instruments, musical styles and vocal styles and in this case it uses three languages; Hoisan dialect, Cantonese and English. Unlike the previous two operas though this one isn’t based in myth and legend. Rather, it’s a gritty and moving story that doesn’t shy away from confronting the brutal institutional racism that Chinese people faced in BC well into the 20th century. Continue reading
News
VOICEBOX:Opera in Concert announced their 2023/24 season. It’s quite interesting; three Verdi rarities:
- Un giorno di regno on November 25th 2023
- Ernani on February 25th 2024
- La battaglia di Legnano on April 7th 2024
And for something completely different, Alice Ho’s The Phantom Bird of Han, performed by Symphony Nova Scotia, is now available on Youtube. Definitely worth a listen!
Blaze
Blaze is a record of (mostly) solo piano music by Alice Ping Yee Ho played by Christina Petrowska Quilico. There are eight pieces on the disk adding up to just over an hour of music. It’s quite varied. There are pieces like the title track which are colourful and intricate with others like “Shade” being slower and, perhaps, more lyrical. It’s all highly virtuosic requiring not just excellent orthodox technique but quite a bit in the way of extended technique. It needs more than technique too as this is music with a lot going on that needs to be interpreted sensitively. The performances are really impressive.


