Last night’s concert at Koerner Hall was a celebration of the life and work of Armenian composer and song collector Komitas on the occasion of his 150th birthday. Unsurprisingly Koerner was packed with members of Toronto’s Armenian community. Sometimes I feel uncomfortable at events like this; unable to really appreciate what the music means in its home culture, but last night what I felt was joy and inclusion. It was an extremely well curated concert of rather beautiful music extremely well performed.
So it looks like January is finally over and that means we can look ahead to next month. Things are definitely winding down. There’s the last Opera Pub of the season on the 3rd at the Amsterdam Bicycle Club. The Vancouver Symphony is appearing with Bramwell Tovey at Roy Thomson Hall on the 26th with the highlight being Marion Newman singing Ancestral Voices; a piece Tovey wrote for her. Also that evening the Canadian Children’s Opera opens a two performance run of Alice Ping Yee Ho’s new piece The Monkiest King. That’s at the Toronto Centre for the Arts.
The Canadian Children’s Opera Company have announced their 50th anniversary season. The big news is that the main production will be a new piece by Alice Ping Yee Ho and Marjorie Chan (the team behind The Lesson of Da Ji). The new piece is called The Monkiest King and is based on the legendary (and comic book) character the Monkey King. Like the earlier work it will fuse western opera and traditional Chinese music techniques and instruments. It will play at the Lyric Theatre at the Toronto Centre for the Arts May 25-27 2018.
There is also going to be a celebratory concert hosted by Ben Heppner on October 26 2017 at the Four Seasons Centre. Besides performances by the current CCOC there will be appearances from Richard Margison, Krisztina Szabó, Simone Osborne and Andrew Haji and a choir of CCOC alumni.
The current Canadian Children’s Opera Company show; Brundibár, represents something of a new direction from the company. Previous shows, at least those I’ve seen, have been quite light and based, typically, on fantasy, fable or popular history. The current offering is altogether more serious. At its core is Brundibár, a children’s opera written by Hans Krása for a Prague orphanage in 1939 and subsequently performed over fifty times in the “showcase” concentration camp at Terezin. Continue reading →
Next week is rather back end loaded. There’s not much on early in the week but then things hot up. On Thursday Against the Grain host the monthly opera pub night at The Amsterdam Bicycle Club at 9pm. This time we are promised Topher and present and past members of the Ensemble Studio. That evening is also the opening of the Canadian Children’s Opera Company show Brundibár which I previewed last week and which runs until March 5th. Also on Thursday there’s the opening of R. Murray Schafer’s Odditorium, presented by Soundstreams at the Crow’s Theatre. That one runs until the 5th. Finally, on Saturday the amazing Inuit throat singer Tanya Tagaq is appearing with the TSO at Roy Thomson Hall in a concert that features two world premiers and a Canadian premier.
Thursday seems to be the big day next week. Ileana Montalbetti and Rachel Andrist have a lunchtime recital in the RBA. There’s Strauss and Mozart and Beethoven and more. Ileana has been a really impressive Gutrune in Götterdämmerung so I’m excited to see her in recital. That evening there’s a choice of the annual COC Ensemble Studio performance at the Four Seasons Centre where the Ensemble members will be offering staged scenes, with full orchestra, from Mozart’s La finta giardiniera, Bellini’s Norma and Handel’s Ariodante. The alternative is Tapestry Songbook VII featuring Krisztina Szabó, Keith Klassen and Stephen Philcox performing numbers from Tapestry’s extensive back catalogue. That’s at the Ernest Balmer Studio at 7.30pm. There are repeat shows on Friday at 7.30pm and 10pm. Looks like both 7.30pm shows are sold out but late night Friday is still available. Operaramblings’ extensive spy network (not Louise Mensch) suggests that patrons may also learn something to their advantage. The day before, Wednesday at 7.30pm, there’s a Don Giovanni in concert at Royal St. George’s Chapel. Actually seeing as how dancer Bill Coleman is involved it may not be entirely straight “in concert”. The cast includes Alexander Dobson in the title role, Katherine Whyte, Colin Ainsworth, Taiya Kasahara, Vania Chan and Matthew Li plus a “special guest”. Tickets at www.opera-is.com or on the door. There is still time to catch the COC’s winter offerings. The Magic Flute plays today, tomorrow and Friday with the last Götterdämmerung next Saturday. That last seems to be sold out but the usual rush and standing room deals may apply.
Norbert Palej’s new piece East o’the Sun and West o’the Moon, commissioned by the Canadian Children’s Opera Company opened at the Enwave Theatre at Harbourfront last night. It’s based on a Norwegian folk tale and tells the story of a girl, Rose, who does a deal with a magic white bear to feed her starving family. The bear, of course, is really a prince who has been cursed by a witch. Rose tricks the witch and marries the prince. There are also trolls. Lots of them.
Toronto Wunderkind director Joel Ivany is directing the premier of Norbert Palej’s EAST o’ the SUN and WEST o’ the MOON for the Canadian Children’s Opera Company. Operaramblings took the opportunity to ask Joel a few questions about his motivation for doing the piece and how directing young people differed (or didn’t) from his other directorial endeavours. Here’s what we got: Continue reading →
Things are starting to quieten down a bit on the Toronto vocal music/opera scene but there’s still a fair bit to seer in May. Here are some of the highlights:
Friday, May 8 sees the opening of Massenet’s Don Quichotte at the COC. It’s strongly cast with Ferruccio Furlanetto, Quinn Kelsey and Anita Rachvelishvili headlining. There are seven performances between Friday and May 24.