Who knew Frosch could be funny?

Toronto Operetta Theatre opened a run of Strauss’ Die Fledermaus at the St. Lawrence Centre last night.  It’s a will crafted production; basically traditional as to costumes and sets and with a generous amount of more topical jokes added to the dialogue (both dialogue and musical numbers are performed in English).  The one thing about it that is a bit different and much to be praised is that the jailer Frosch, played by director Bill Silva-Marin, is actually funny and sings pretty well for a guy who doesn’t sing a lot anymore.  The schtick is that he is obsessed with singing and insists on singing lessons from Alfred (or here Alfredo) when he appears in the jail in place of Eisenstein.  The singing lessons are kind of a parody with plenty of jokes about vocal production and a fair bit of physical humour.  All this is actually set up from the beginning by making Alfred a rather larger role than usual with a fair amount of interpolated snatches of Verdi and Puccini.  It may not sound that radical but it does liven up the third act which all too often can be pretty dull and anti-climactic.

144

Continue reading

The Chocolate Soldier

Toronto Operetta Theatre’s current production is Oscar Straus’ The Chocolate Soldier in the English version.  It’s based on Shaw’s Arms and the Man but, as is usually the case with musical adaptations of Shaw, it’s rather less acerbic than the original.  In fact, it comes over as a somewhat farcical love story with a few gentle pot shots at the military and militarism.  There are some good comic lines and the music is tuneful and well crafted.

tcs1

Continue reading