Threepenny Submarine

Threepenny Submarine is a nine episode puppet animation series of videos on Youtube inspired by the idea that most of us got at least some of our exposure to classical music as kids from Looney Tunes and other cartoons.  It’s produced by Opera 5 and Gazelle Automations and concerns an underwater journey by the submarine Threepenny Submarine investigating a mysterious sound coming from the equally mysterious Salieri Sector.  The sub is commanded by a cockatiel called Iona (voiced by Lindsay Lee and sung by Caitlin Wood) assisted by a fox called Lydian (voiced and sung by Rachel Krehm).  They befriend a “sea monster” called Flute, represented, appropriately enough, by Amelia Lyon on flute.  Various adventures take place punctuated by well known arias using new text by Rachel Krehm.  For example, the first episode features “Una voce poca fa” and “Dich, teure Halle” in arrangements for string quartet.  There are also classical instrumentals used as incidental music.  It’s all arranged by Trevor Wager and directed by Evan Mitchell.

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Parting Wild Horse’s Mane

Toronto Summer Music isn’t afraid to offer the unusual or unexpected, which is admirable.  Last night’s short performance at Walter Hall; Parting Wild Horse’s Mane, paired contemporary music for string quartet with moves from Tai Chi Chuan.  It was OK but I’m not convinced that was much synergy between music and movement.

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Theodora with a twist

I don’t often get deeply emotionally affected by an opera video.  Generally it’s less immersive than a live performance in a way that  diminishes emotion.  That wasn’t my experience though with the 2022 recording of Handel’s Theodora from the Royal Opera.  Admittedly Theodora is an opera I can get very emotionally involved in but Katie Mitchell’s production really did get to me.

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Krehm memorial concert

Inevitably, this year’s Krehm memorial concert was presented virtually. It premiered last night and is available on the Canzona Chamber Players Youtube channel.  It’s in two parts.  In the first Rachel Krehm is the soloist in the Schoenberg arrangement of Mahler’s Lieder eines fahrenden Gesellen.  I initially thought that Evan Mitchell’s tempi were on the slow side but they grew on me and Rachel sings expressively and rather beautifully.  I like the chamber arrangement of these pieces precisely because the singer doesn’t have to force her voice over a big orchestra and can be more Lieder like.

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7th annual Krehm memorial concert

It’s seven years since Elizabeth Krehm died and last night we heard the seventh memorial concert organised by her sister Rachel at Christ Church Deer Park.  As ever I was amazed and delighted at the resources the extended Krehm family can draw on.  The Canzona Chamber Players Orchestra is essentially a scratch operation but in the hands of conductor Evan Mitchell it’s always a pleasure to listen to.

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Lessons in Love and Violence

George Benjamin’s latest opera Lessons in Love and Violence debuted at Covent Garden last year.  It was broadcast on the BBC and is still available on the web from Arte and has also been released on DVD and Blu-ray.  This review is based on the Blu-ray version.

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Kiss of the Spider Woman

Eclipse Theatre opened a run of Kander and Ebb’s musical version of Kiss of the Spider Woman last night at the Don Gaol.  Now, as most of my readers now I’m not any kind of expert on musical theatre and being there last night was a result of intrigue at the subject matter and the location and the kind insistence of Ashley, Eclipse’s media person.  Anything I say about the work then should be filtered through the “does this guy know what he’s talking about?” filter.

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Voyage to Wien

Voyage to Wien, presented by Sara Schabas and Daniel Norman at the Church of the Redeemer last night was a nicely constructed tribute in song to that city on the Danube.  Things kicked off wittily with Bernstein’s (well he did conduct the Vienna Phil) “I hate music” followed by nicely rendered accounts of varied songs by the Mahlers and Schubert before exploiting the performers connections with the church choir to bring members of the choir in for “Ihr habt nun Traurigkeit” from Brahm’s German Requiem.

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6th annual Krehm memorial concert

ekThe 6th in the annual series of fundraisers for St. Mike’s ICU in memory of Elizabeth Krehm took place at Christ Church, Deer Park last night.  Once again Evan Mitchell had assembled a fine orchestra of volunteers and Elizabeth’s sister, Rachel, sang.  The orchestra book ended the program with the overture from Hänsel und Gretel and Brahm’s 4th Symphony; the latter a very red blooded account indeed with the brass and woodwinds getting a workout.  The main interest though was the premier of Come Closer: Songs on Texts by Elizabeth Krehm.  The texts are drawn from selections of Elizabeth’s writing, from Grade 2 to near the end of her short life, selected by Rachel.  The music is by Ryan Trew.  They are really quite evocative texts, showing a surprising emotional depth.  The settings are apt; steering a middle ground between artsy and schmaltzy, and Rachel sang with real feeling.  It was a loving and lovely act of remembrance.

And so, into November

ThomasOliemans28-e1534886868523-1024x489Here are a few interesting events happening in the first half of November.  There are competitions.  There are also concerts…

Thursday 8th at 1.30pm in Walter Hall the Women’s Musical Club of Toronto are presenting baritone Thomas Oliemans, and pianist Malcolm Martineau in a programme consisting of Brahms’s Die schöne Magelone and Schumann’s Liederkreis, op. 39.  Tickets etc here.  There’s also a pre concert talk at 12.15pm when Jane Cooper will talk about Bertha Crawford. Continue reading