La Verbena de la Paloma

Yesterday I caught the last of three performances of Tomás Bretón’s La Verbena de la Paloma given by Toronto Operetta Theatre at the St.Lawrence Centre.  It’s a zarzuela.  What’s that you may ask.  In short it’s the native Spanish form of operetta.  Based on what I saw yesterday it has the following elements; a love story with a complication that resolves happily, spoken dialogue, musical numbers including traditional Spanish folk/dance pieces and elements of the commedia dell’arte.  These latter included an older man lusting after a much younger girl )actually a pair of them), a jealous lover who is tested by his sweetheart and a bumbling policeman.

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A Northern Lights Dream

A Northern Lights Dream is a new operetta by Michael Rose which premiered this last week at Toronto Operetta Theatre in a production directed by Guillermo Silva-Marin.  A new operetta is a very rare thing.  It;’s just not a form that contemporary composers seem to take to.  There’s far too much spoken dialogue for an opera but the musical language; mostly tonal, often quite beautiful but not afraid to get more abrasive when appropriate, is much closer to that of contemporary opera than musical theatre.  So an operetta it is.

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Brush Up Your Shakespeare

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Charles Sy

Today’s free concert in the Richard Bradshaw Amphitheatre was given by the University of Toronto’s Opera Program.  It was a semi staged assortment of songs and excerpts from operas, operettas and musicals based on the works of Shakespeare with a distinct leaning to the operetta/musical theatre side of things.  That’s understandable enough with young singers but it does make the game we all play (at least I do) of trying to guess who the next Jonas Kaufmann or Anna Netrebko is that much harder.  Not that I’m very good at it.  I’m far more able to predict what a newly bottled Bordeaux will taste like in ten years time than whether the young soprano I’m listening to might go on to sing Siegfried or Turandot at the Met!

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