Butterfly in the 1950s

My quest to find a production of Puccini’s Madama Butterfly that has anything insightful to say about the piece continues.  This time it’s the 2018 production from Glyndebourne directed by Annilese Miskimmon.  I was interested to see how a female director would treat the obvious problems with the piece.  Miskimmon’s solution is to shift the setting to early 1950s Nagasaki and to treat Butterfly as one of many real and fake war brides.  Apparently there was a thriving fake war bride business at the time.  The obvious problem of a Nagasaki setting is just ignored.

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Let me tell you a story

Most opera singers come to the profession through fairly well defined pathways; music degree, post graduate degree or conservatory training, young artists program, and so on.  Occasionally one comes across someone with a very different background.  The English (well Scouse) mezzo Jennifer Johnston read law and practiced at the bar before becoming a professional singer.  Burkhard Fritz studied medicine before committing to singing.  Yesterday Mexican-American tenor Joshua Guerrero, in town to sing the Duke of Mantua, used his lunchtime recital in the RBA to tell us his story in words and music.

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It’s almost 2018

candide2017 draws to a close and we haven’t had a nuclear war (yet).  So it’s time to look ahead to what’s coming up opera and concertwise in January 2018.  But first, there’s one show still to catch in 2017.  Toronto Operetta Theatre opens a run of Bernstein’s Candide tomorrow night at the Jane Mallett.  It stars Tonatiuh Abrego, Vania Chan, Elizabeth Beeler and Nicholas Borg.  There are shows at 8pm on December 28th and 30th and January 5th and 6th with matinées on New Year’s Eve and January 7th.  For the shows on 28th, 5th and 6th you can use code CANDIDE30 to get a 30% discount.  All is for the best in the best of all possible worlds!

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Toronto Operetta Theatre announces 2015/16 season

Bon-Voyage-closeupOnce again Toronto Operetta Theatre will stage three shows with a typical mix of an English language piece, a classic European work and a zarzuela.  First up is Bernstein’s Candide which will run October 23rd to 25th.  The holiday show will be Romberg’s The Student Prince with five performances from December 27th to January 3rd.  The final offering will be Jacinto Guerrero’s Los Gavilanes with four performances from April 27th to May 1st.  All shows wil be at the St. Lawrence Centre for the Arts.  No details on casting yet.