James Coole-Stevenson and Vlad Soloviev

Thursday Noon at Met recital was given by baritone James Coole-Stevenson accompanied by Vlad Soloviev. The first part of the recital was all Canadian art song. Jocelyn Mortlock’s Involuntary Love Songs; which are varied in mood and quite lyrical, Ian Cusson’s “You Held Out the Light” from Breakfast for Barbarians which is short and very Ian Cusson., with a shimmering piano part and finally James Rolfe’s Moths. This is a very complex cycle about light and dreaming and very varied from the boomy “night is a river” to the delicate “The river of dreams” and much more. It was all sung with great attention to text backed up by impeccable diction and sharp characterisation. As is usually the case with contemporary song the pianist has a lot to do and Vlad did it really well. It’s good to see someone programme so much contemporary Canadian song.

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A most unusual recital

Thursday lunchtime at Metropolitan United was, I think, the first time I’ve attended a recital of music for soprano and clarinet.  The performers were soprano Noelle Slaney and clarinettist Matheus Coelho.  Most of the music was performed “as written” with a few pieces rearranged by Noelle.

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Marcel d’Entremont in recital

To Walter Hall on Saturday evening to hear a recital by tenor Marcel d’Entremont.  I was intrigued by the programme; English song; art and otherwise, with the resources of a piano quintet for accompaniment.  It’s quite rare for an art song recital to have more than just piano accompaniment so this looked promising.  I wasn’t disappointed.

Proceedings began with three of Beethoven’s Irish Songs scored for voice and string trio (Here Aaron Schwebel – violin, Rory McLeod – viola and  Guillaume Artus – cello).  I wasn’t familiar with these songs and they are really rather jolly and were nicely done.  Two Irish ballads of the sort that people mistake (sometimes) for “traditional” (but no Tom Lehrer) followed.  Marcel has the style down pat (or Pat) for these.  Think all those best selling recordings of Irish tenors from the 78 era. Continue reading

More farewells

The first of this year’s Les Adieux concerts for departing members of the Ensemble Studio took place Tuesday lunchtime in the RBA.  It was supposed to feature Brian Cho, Mattia Senesi, Korin Thomas-Smith and Karoline Podolak but Karoline was indisposed so Emily Rocha (not leaving) jumped in at the last minute.

The rearranged programme worked pretty well with maybe a bit more opportunity for the pianists.  Sio, Mattia  played the Intermezzo from Brahms’ Op 118. No. 2, which was very nicely done and Brian closed things out with just the piano part from Schumann’s Widmung which works surprisingly well, at least if one is familiar with the song. Continue reading

Brews, Beauties and Brawlers

So on Saturday night at St.Olave’s CE I finally managed to catch a concert in the Apocryphonia series.  It was titled Brews, Beauties and Brawlers and was billed as “classical” meets “punk”.  It was a collection of pieces for piano, solo voice and/or choir and organiser Alexander Capellazzo had recruited four voices of each type with soloists coming from the group.  Narmina Afaniyeva was at the piano.  Everybody (and some of the audience) had dressed for the occasion!

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Three Islands

Three Islands is a UoT Opera show that opened at the Sandra Faire and Ivan Fecan Theatre at York University on Thursday night.  The show is conceived and directed by Tim Albery who has wrapped two 20th century English language one act operas in a wrapper crafted from Kaija Saariaho’s Tempest Songbook.

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Ariel’s Hail from Tempest Songbook (Saariaho): Prospero – Ben Wallace, Ariel – Aemilia Moser

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The Whole Gang and Then Some

heliconian-club-2022-4-1024x768The final programme of Confluence Concerts season took place at Heliconian Hall on Wednesday night.  It was billed as The Confluence Songbook and, if there was a theme, it was about doing live versions of music that had been streamed during the Plague.  But really by the time we saw it it had outgrown that.  For, in addition to the full line up of Confluence artistic associates there was a raft of guests which resulted in a fairly lengthy and very eclectic programme. Continue reading

The (evil) life of a baritone

English baritone Roland Wood, accompanied by Simone Luti, gave a rather unusual, themed, recital n the RBA on Tuesday lunchtime.  It was structured around the typical career path of a baritone and was narrated engagingly by Wood with lots of fun being had with the traditional rivalry between tenors (useless wimps who always get the girl) and baritones (evil sociopaths who never do).

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Norcop Prize 2023

Thursday lunchtime in Walter Hall saw the winner of the 2023 Norcop Song Prize, Jamal Al-Titi give his prizewinner recital accompanied by Koldolsky Prize winner Indra Egan.  It was an interesting selection of material for baritone in English, French, Italian and Russian.  Starting off with Butterworth’s Loveliest of Trees and Vaughan Williams’ Silent Noon was bold.  The standard for these songs is particularly high and I don’t think they are Al-Titi’s sweet spot.  We would see laster in the recital a leaning towards a very operatic approach that didn’t work so well here.

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Les adieux – Midori Marsh and Alex Halliday

It’s that time of year when departing members of the COC Ensemble Studio give their farewell recitals in the RBA.  On Tuesday it was the turn of Midori Marsh and Alex Halliday and they did it in style.  The programme was interesting and the music making excellent.  Although they alternated sets it’s probably easy to deal with each singer in turn.

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