Confluence Concerts opened their season yesterday at 918 Bathurst with a concert featuring a new work by Ian Cusson and André Alexis. We’ll come to that because before it there was about 45 minutes of music doing what Confluence does; the relatively unexpected. There were arrangements for various combinations of voices and instruments of songs by the likes of Kate Bush, Coldplay and Neil Young. There was an instrumental version of Bruce Cockburn’s Pacing the Cage (Larry Beckwith – violin, Andrew Downing – bass) and a Mozart violin sonata (Beckwith and Cusson) plus an intriguing percussion solo by Bevis Ng and more. It featured the usual suspects; Larry Beckwith, Andrew Downing, Suba Sankaran, Dylan Bell and Patricia O’Callaghan plus Messrs Cusson and Ng and it was fun.
Confluence Concerts returned to live performance last night at Heliconian Hall. The concert, curated by Patricia O’Callaghan, was titled A Simple Twist of Fate and featured an eclectic mix of music either on the topic of Fate or that was entwined with the fates of the performers.
Mandala – the Beauty of Impermanence is the latest on-line offering from Confluence Concerts. It’s curated by Suba Sankaran and should have seen the light as a live show last May. The programme is as eclectic as one has come to expect from Confluence and lots of fun. In the spirit of impermanence it will be available on the Confluence channel on Youtube only until February 10th.
Confluence Concerts have announced a five concert and two special event virtual 2020/21 season with their usual eclectic and enticing mix of repertoire.
September 23rd 2020 – Something to Live for; A Billy Strayhorn Celebration
A detailed look at the story of the great 20th century classical and jazz pianist and composer. Best known for his long-time collaboration with Duke Ellington, Strayhorn composed Take the A Train, Lush Life, Something to Live For, Chelsea Bridge, and A Flower is a Lovesome Thing.
Curated and arranged by Andrew Downing
Featuring Larry Beckwith, Alexa Belgrave, Leighton Harrell, Aline Honzy, Drew Jurecka, Marion Newman, Patricia O’Callaghan, Alex Samaras, Suba Sankaran and more.
It was the last concert of Confluence’s inaugural season last night. The theme was “At the River” and the venue the rather splendid (if somewhat popish) St. Thomas’ Anglican on Huron Street. It rather epitomized what I have come to expect, and love, from this series. The musical styles on display were eclectic; classical, folk song, pop/rock, jazz with East and South Indian, Middle Eastern and Indigenous elements all well to the fore. There was also some poetry including an unintentionally hilarious piece in praise of the idyllic Don River. There was also a large and accomplished ensemble and a lot of joy and sheer fun.
What do you get when you take nine multi-talented musicians from a variety of musical backgrounds and give them a Purcell toy box to play in? You get the latest concert in the Confluence series; ‘Tis Nature’s Voice: Henry Purcell Reimagined. It’s an amazingly fun evening that completely blows the cobwebs off the often stuffy Toronto baroque music scene. I can’t do a number by number account because I completely lost track. I was having way too much fun.