Back to the Tranzac last night for the first Toronto performance of Against the Grain’s national tour of the Joel Ivany transladaptation of Puccini’s La Bohème which started it all back in 2011. The Tranzac has changed a lot and so, of course, has Against the Grain. The room is way smarter, they brought in a proper piano to replace the one that Topher plonked the first performance out on (and which memorably accompanied Jonathan MacArthur’s rather startling Hitler a few years later). And not in any way to knock that first cast it’s a sign of AtG’s rising stature that this time they are fielding a cast that would not be out of place in most regional houses in Canada.
It was the last concert of Confluence’s inaugural season last night. The theme was “At the River” and the venue the rather splendid (if somewhat popish) St. Thomas’ Anglican on Huron Street. It rather epitomized what I have come to expect, and love, from this series. The musical styles on display were eclectic; classical, folk song, pop/rock, jazz with East and South Indian, Middle Eastern and Indigenous elements all well to the fore. There was also some poetry including an unintentionally hilarious piece in praise of the idyllic Don River. There was also a large and accomplished ensemble and a lot of joy and sheer fun.
Opera 5 opened a run of Rossini’s The Barber of Seville at the Factory Theatre last night. It’s arguably the most conventional thing Opera 5 have done. It’s a (very) mainstream piece. There was no accompanying themed food or drink (a glass of Rotsina?). There was no audience participation. There weren’t even Aria Umezawa’s characteristically minimalist touches. What there was a carefully constructed Barber for reduced forces directed by new Artistic Director Jessica Derventzis and conducted by Evan Mitchell.
Casting has now been announced for The Overcoat: A Musical Tailoring; an opera by Morris Panych and James Rolfe based on Gogol’s short story by way of Panych’s 1990s theatrical version. The opera is a co-production of Vancouver Opera, Tapestry Opera and Canadian Stage and will premiere in Toronto’s Bluma Appel Theatre (March 29th to April 14th) before heading to the Vancouver Playhouse (April 28th to May 12th).
Todays concert in the UoT’s Thursdays at Noon series at Walter Hall was given by baritone Giles Tomkins, soprano Elizabeth McDonald, pianist Kathryn Tremills, clarinettist Peter Stoll and cellist Lydia Munchinsky. The music they played was sometimes in familiar combinations of players and sometimes very much not. Hence the title.
All families, they say, have secrets. Few perhaps are as lurid as what came to light at 29 Kintyre Avenue, Toronto (about 2km from here) in the summer of 2007 when a contractor renovating the house discovered the mummified body of an infant wrapped in a 1925 newspaper. Incredibly, the CBC was able to track down the last surviving member of the household from that era, a 92 year old woman living in a retirement home in up-state New York. Her recollections, which formed the subject of a short two part radio documentary, provided a lot of context and background but few hard facts. Who the baby was and how it came to be under the floorboards remains very much a mystery.