How many Indigenous artists does it take to make an opera Indigenous?

How many Indigenous artists does it take to make an Opera Indigenous? That was one of many questions up for discussion at Stories Don’t Die presented by the Artists of Indians on Vacation at the Terminal Theatre on Saturday afternoon. The backdrop to all this of course is the withdrawal of Edmonton Opera from their role in the creation and presentation of Ian Cusson and Royce Vavrek’s Indians on Vacation in February following the not entirely unexpected “revelation” that Thomas King; author of the novel on which the opera is based, is not Indigenous as he had long claimed. Edmonton Opera chose, unilaterally, to pull out after a protest by a small group of Indigenous activists in Edmonton. To the protesters, the false claim by Thomas King was reason enough to cancel an opera they hadn’t seen but is it? The Artists of Indians on Vacation clearly believe otherwise and Stories Don’t Die makes a strong case for its survival and further development.

Continue reading

A Play in Two Halves

Joanna Murray-Smith’s 2009 play Rockabye is currently playing at Factory Theatre in a production directed by Rob Kempson.  It’s an odd play.  Ostensibly it’s about an aging rock singer; Sidney Jones (played by Deborah Drakeford), who hasn’t achieved much for 20+ years and desperately needs her come back album to be a success before she’s written off as a has been.  She’s also obsessed with adopting an African baby.  We’ll come back to that.  She’s at the centre of a coterie of personal staffers and hangers on who are almost as shallow and self obsessed as she is.  There’s the manager; Alfie (Sergio di Zio) endlessly congratulating himself on sticking with Sidney rather than taking on a “hot sixteen year old”.  There’s boy-toy Jolyon (Nabil Trabousi) who has curtain phobia, a U-boat fetish and a big dick. Sidney’s every wish is the concern of her plummy lesbian publicist Julia (Julie Lumsden) who races around to locate the absolutely vital Peruvian wheatgerm or to send to Uzbekistan for a swatch of cloth to repair a button.  Only the cook/maid Esme (Kyra Harper) seems to have any connection to reality.

Christopher Allen and Kyra Harper_Rockabye - ARC_Sam Moffatt

Continue reading

Gentle Death, I embrace you

1.urbainIt’s 1990 and Dame Joan Sutherland is retiring.  Australian Opera decide to stage Meyerbeer’s Les Huguenots as a farewell gala.  In some ways it’s an odd choice as the Sutherland character, Marguerite de Valois, only appears in two of the five acts of an opera that’s rather long despite cuts.  Still, as a vehicle for an ageing coloratura it’s not a bad choice.  The production is by Lotfi Mansouri so there is nothing to get in the way of the plot and, by the same token, nothing much to think about.  It’s also, equally characteristically, quite dark in places.  Everything then rests on the performances.  Continue reading