James Coole-Stevenson and Vlad Soloviev

Thursday Noon at Met recital was given by baritone James Coole-Stevenson accompanied by Vlad Soloviev. The first part of the recital was all Canadian art song. Jocelyn Mortlock’s Involuntary Love Songs; which are varied in mood and quite lyrical, Ian Cusson’s “You Held Out the Light” from Breakfast for Barbarians which is short and very Ian Cusson., with a shimmering piano part and finally James Rolfe’s Moths. This is a very complex cycle about light and dreaming and very varied from the boomy “night is a river” to the delicate “The river of dreams” and much more. It was all sung with great attention to text backed up by impeccable diction and sharp characterisation. As is usually the case with contemporary song the pianist has a lot to do and Vlad did it really well. It’s good to see someone programme so much contemporary Canadian song.

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The Piece Atop His Pate

The latest short animation from the Canadian Art Song Project is extremely quirky and about as steeped in a certain kind of Canadian nostalgia as one could possibly get.  It’s called The Piece Atop His Pate and appears to be about Bobby Hull losing his wig in a hockey fight although it may also be lamenting the NHL mandating helmets.  I’m really not sure..  Why this is seen as a significant event in Canadian history also puzzles me but apparently it’s worth writing a song about.

The words are by Bill Richardson with rather percussive music by Jocelyn Mortlock.  It’s performed with spirit by Keith Lam and Steven Philcox and it’s accompanied by rather cute Saturday morning cartoon style animation by OCAD students.  Here’s the Youtube link.  Perhaps it helps to watch it in your underwear while drinking a Molson Export.

Micah Schroeder in recital at the Tranzac

Baritone Micah Schroeder and pianist Stéphane Mayer gave a recital on Saturday night at the Tranzac called Everlastingness.  It was a carefully curated mix of song recital classics, works by contemporary Canadian composers and some Armenian influences.  The balance was such that a two hour plus recital seemed to fly by.  I rather like the Tranzac for this kind of event.  The acoustics are fine and the comparative intimacy of it gives a vibe somewhere between a concert hall and, say, Opera Pub.  It’s certainly difficult to imagine anyone (furries aside) wearing tails there.

And so to the music… Matters kicked off with Danika Lorèn’s setting of Edna St.Vincent Millais’ Recuerdo no. 7 – A Few Figs From The Thistle.  It’s a gentle setting of an appealing text and was a good atmosphere setter.  Next was a foray into Ich bin ein ernsthafter deutscher Bariton territory with Schumann’s Lieder und Gesänge aus Wilhelm Meister.  This was very nicely done with excellent diction, measured singing; balancing the dramatic and the sensitive aptly, and was beautifully accompanied.  Proper Lieder singing in fact. Continue reading