My last show of this year’s SummerWorks was perhaps the most unusual. Date of Performance; written and directed by Maryam Khalili and presented in The Theatre Centre’s Franco Boni Theatre. It’s a lecture-performance documenting theatre and performance practices created inside Iranian prisons from 1954 to 2024. There is no-one on-stage; just recordings of telephone conversations and some voice overs; all in Farsi with English subtitles.




Musically August is pretty quiet in Toronto. Opéra Queens have a PWYC concert; Sisters in Arms, at the Tranzac on the 1st (5-7pm). Confluence Concerts emerging artists programme has a concert called Side-by-Side at Heliconian Hall on the 20th and that’s about it. There’s a bit more happening in the theatre world.
Versus is a one man show (more or less) by Adam Lazarus about a day in the life of the rather unfortunate (if distressingly normal) Gerald Bloom and worse the day is his birthday. It’s part of Summerworks and playing at the Theatre Centre. While it is mostly a monologue, Lazarus gets assistance from Nicholas Eddie and Irene Ly who do rather more than shift props. He also ropes in audience members, from time to time, to, for example, make him a smoothie or clean up dog poo. If being acutely embarassed is not your thing then don’t sit in the front row!
Slug Meal, part of Summerworks, is a one woman show presented by Camille Huang at Theatre Passe Muraille. It’s a sort of dance X performance art piece inspired by unfortunate childhood memories of her mother’s eggplant dish, Western ideas of immigrant food and the idea of “dirt” as “matter out of place”
Rougarou is a work in progress written and directed by Damion LeClair for unnecessary mountain theatre. On Saturday and Sunday it was given in a semi-workshop format in partnership with Native Earth at Aki Studio as part of Summerworks.
It’s still mostly festival season with two events coming up in Toronto.