Known to Dreamers

Known-to-dreamersKnown to Dreamers: Black Voices in Canadian Art Song is a new CD from Centrediscs and the Canadian Art Song Project containing Canadian art songs composed by or setting lyrics by Black Canadians, sung by Black Canadians.  The first set on the disk is Robert Fleming’s The Confession Stone (Songs of Mary) which sets texts by Owen Dodson’s texts about the life of Christ from his mother’s point of view.  It’s a very beautiful piece and must be in the running for the most performed Canadian songg cycle of all time!  Curiously though it’s only been recorded commercially once before (by Caroline Gélinas on ATMA Classique).  The singer here is Measha Brueggergosman-Lee.  She wouldn’t be my first choice for this piece but she sings it pretty well.  I find her style a bit mannered but she’s accurate and her diction is good.  Steven Philcox accompanies with great skill (as he does on all the tracks).

Continue reading

February 2024 – concerts and opera

groundhog

Contemplating another production of “Carmen”

First a couple of 21C concerts inadvertently omitted from my January listings post.  On the 19th in Koerner Hall there’s Fazil Say and friends (including Beste Kalender) in a programme of mostly Turkish music and in the late show in Temerty Theatre the following night Brian Current presents and conducts a concert titled Indigena.

So to February: Continue reading

Lots of Beckwith

John Beckwith turned 95 a little while ago and there’s some good celebratory material up on Youtube.  Confluence Concerts are rereleasing their three concerts from last year.  The first one is here.  Plus, Canadian Art Song project have a really lovely film of Krisztinaa Szabó and Steven Philcox performing The Four Short Songs to texts by Kandinsky.  The location filming is the work of Jenn Nicholls and Patrick Hagerty and it’s gorgeous.  The performance is rather good too.

szabos

CASP composer mentorship programme

J_PlessisThe Canadian Art Song Project (CASP) has announced that Laurence Jobidon (right) and Jesse Plessis (left) are the inaugural mentees in the Chung-Wai Chow and John Wright Art Song Mentorship Programme for Composers; a new CASP initiative designed to support emerging composers working in the field of Canadian Art Song. They will be working with mentors Luna Pearl Woolf and Jocelyn Morlock, respectively.

L. Jobidon (headshot)Over the course of the next year, Laurence Jobidon will be working with Luna Pearl Woolf on her project that sets the poetry of Blanche Lamontagne; the first French-Canadian woman poet to publish under her own name, while Jesse Plessis will be working with Jocelyn Morlock on a project entitled Time’s Kiss that will interweave texts by Rabindranath Tagore, Anne Carson, and Geneviève Plessis.

Full details on the programme and the selected composers can be found here.

To the Distant Beloved

I’m late to the party on this one.  I had set aside time on Sunday to watch Russell Braun, Carolyn Maule and Miriam Khalil’s recital from Koerner Hall (one of the Mazzoleni Songmasters series) when first broadcast.  For whatever reason I couldn’t get it to mirror onto the big screen in a watchable way so I ended up watching it on my laptop yesterday.  So it goes.

andiefernegeliebte

Continue reading

Songmasters line up for next season

The line up for next season’s Songmasters series in Mazzoleni Hall has been announced.

November 22nd 2020 sees baritone Elliot Madore and pianist Rachel Andrist in a program called Troubled Times with music by Adams, Britten, Higdon and Musto.  It really is about time Mississauga boy Elliot was heard in Toronto.  he must have sung just about everywhere else by now!

Elliot_Madore_Santa_Fe_

Continue reading

Summer Night

summernightSummer Night is a CD of songs by Healey Willan produced by the Canadian Art Song project and due to be released on the Centrediscs label next month.  Willan is best known as a composer of church and choral music but he also wrote over 100 songs and song arrangements, many of which have not been published, let alone recorded.  There are 28 songs on the CD ranging in composition date from 1899 to the late 1920s.  Most are original settings of the text though a few are arrangements of existing songs; either traditional or by Burns.

Continue reading

And on other media…

220px-Podcasting_icon.svgCanadian Art Song Project has just brought out a podcast on the important issue of how Ingigenous stories and music are represented in Western art music.  Besides regulars Lance Wiliford and Steven Philcox, the podcast features mezzo-soprano Marion Newman and composer Ian Cusson.  You can listen to or download the podcast here

Then on October 13th at 7:30 pm the CBC will livestream Against the Grain’s La Bohème from the Tranzac Club directly to your personal devices via CBC Gem.

Also… Turandot at the COC. My review will be up on Bachtrack once it’s through the editorial process.  I’ll post links.

Paint Me a Song

Last night, at Walter Hall, the Canadian Art Song Project presented their latest commission; Miss Carr in Seven Scenes by Jeffrey Ryan.  The overall standard of the CASP commissions since Lawrence Wiliford and Steven Philcox launched the endeavour has been very high.  The Ryan piece maintains that.

IMG_1058

Continue reading

CASP at 21C

Last night’s Canadian Art Song Project, part of the Conservatory’s 21C festival, was sold out.  Yep, a sold out concert of contemporary Canadian art song not featuring an A-list singer.  Clearly Mercury is in retrograde or something.  Anyway, the first half of the concert featured baritone Iain MacNeil with one of my favourite collaborative pianists Mélisande Sinsoulier.  They gave us Lloyd Burritt’s The Moth Poem to texts by Robin Blaser.  This is a basically tonal work with a piano part that I found more interesting than the vocal writing (common enough in contemporary art song).  There was some nice delicate singing from Ian and complete mastery of the intricate piano part by Mélisande.  Andrew Staniland’s setting of Wallace Stevens’ Peter Quince at the Clavier followed.  This is a more ambitious work with quite a complex soundscape and a piano part that requires a range of technique as much of it is written to sound “mechanical” as a nod to the title of the poem.  Oddly, despite the title, the text is a rich but highly allusive rendering of the story of Susanna and the Elders and a reminder of how much a really interesting text can enhance a song.  I’d like to hear this again.

Continue reading