Toronto City Opera opened a run of three performances of Verdi’s La Traviata at the Al Green Theatre last night. It’s a bit of a mixed bag. Certainly less even than their Le nozze di Figaro earlier in the season. Director Alaina Viau sets the piece in contemporary Toronto which creates both possibilities and problems. I’ll come back to that because I want to talk about the performances first.
Here are a couple more listings for March. VOICEBOX are doing Kurt Weill’s Rise and Fall of the City of Mahagonny on March 30th at 8pm and March 31st at 2.30pm. The cast includes Beste Kalender, Michael Barrett and Elizabeth DeGrazia. It will be piano accompaniment with Narmina Afandiyeva at the keyboard.
Toronto City Opera are performing Verdi’s La Traviata at the Al Green Theatre on March 28th and 29th at 7.30pm and the 31st at 2,30pm. Alaina Viau directs with a musical team of Ivan Jovanovic and Jennifer Tung. The cast is headed up by Beth Hagerman, Kijong Wi and Handaya Rusli. Apparently it’s a “modern, Toronto setting”. I’m curious to see how the ideas of “a fallen woman”, “family honour” and “arranged marriage” play out.
Toronto City Opera has been around for a while but its previous performance location at the Bickford Centre was quite sufficient to keep me away. The Miles Nadal JCC is quite another matter. The basic idea of TCO is that the chorus is open to, essentially, anybody and that their subscriptions, plus fund raising, allow the company to do a couple of staged shows each year with young professional soloists, director, conductor and pianist. So, in theory it’s a chorus centric endeavour so the choice of Le Nozze di Figaro seems a bit odd since it has less than ten minutes of chorus and that is usually covered by a small group of eight or so ladies. That said, Nozze is their first of two productions this season and I saw the last show in the run this afternoon.
So one thing can be guaranteed in December; lots of Messiah. This year I have four on the radar. There’s the TSO of course. This year Johannes Debus conducts with soloists Claire de Sévigné, Allyson McHardy, Andrew Haji and Tyler Duncan. One might almost have expected the COC Chorus but actually it’s the Toronto Mendelssohn Choir in the loft. That one runs December 18th, 19th, 21st and 22nd at 8pm and the 23rd at 3pm. Roy Thomson Hall of course. Over at Tafelmusik, it’s Ivars Taurins with Sherezade Panthaki, Krisztina Szabó, Charles Daniels and Drew Santini plus, of course, the Tafelmusik Chamber Choir. That’s on December 18th, 19th, 20th and 21st at Koerner Hall at 7.30pm. The Sing-a-Long version is at Roy Thomson Hall at 2pm on the 22nd. There’s also a workshop on the 8th at 2pm at Eglinton St. George’s United Church.
Toronto City Opera puts on fully staged productions with young professional soloists and an amateur, unauditioned chorus. It’s piano accompaniment. I’ve never been to one of their shows, not least because until recently they have performed at the Bickford Centre which I loathe. Now they are at the Miles Nadal JCC which is a huge improvement and both Jennifer Tung and Alaina Viau are on the creative team, which is promising. This year they are opening their season with Le nozze di Figaro running on December 6th, 7th and 9th. The cast includes Dylan Wright as Figaro, Brittany Rae as Susanna, and Lillian Brooks as Cherubino. There’s also a Traviata in March with Beth Hagerman as Violetta.